A Quote by Joseph Gordon-Levitt
Genres give a vocabulary. They give a frame of reference for the audience to enter into a movie. Then, once they have their footing, that's when you can start doing things that they don't expect.
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How my eyes see, perspective, is my key to enter into His gates. I can only do so with thanksgiving. If my inner eye has God seeping up through all things, then can't I give thanks for anything? And if I can give thanks for the good things, the hard things, the absolute everything, I can enter the gates to glory. Living in His presence is fullness of joy- and seeing shows the way in.
I'm now much more excited about genre distinctions. What I still see breaking down are more the hierarchical arrangements of genres. That is, "There is literary fiction, and then there are lesser genres." I'm much more clear on the idea that literary fiction is itself a genre. It is not above other genres. It is down there in the muck with all the other genres, and it's doing the wonderful things that it does, but to give it a Y-axis, to make it high and low, just seems absurd. I stand by that.
My father was a teacher, my mama was a community worker, I taught in so many schools. So when you get that experience of how to communicate with younger people, put that hand on them and give them that old-school feeling, the maturity and adult, a lot of our kids just need the feeling of that love, and that's the frame of reference that I teach from and that's the frame of reference that all of our musicians in the Jazz at Lincoln Center.
If you try to multitask in the classic sense of doing two things at once, what you end up doing is quasi-tasking. It's like being with children. You have to give it your full attention for however much time you have, and then you have to give something else your full attention.
I feel the horror audience is a great audience, and I would ideally make a movie that would give them as much energy as they're willing to give to the picture.
Give up as much as you're willing to receive back and give yourself, if that makes any sense. Whatever that is, don't expect more from a person than what you're willing to give, but give it knowing that you're giving it - it's been given, so don't expect anything else.
It is not the job of artists to give the audience what the audience want. If the audience knew what they needed, then they wouldn’t be the audience. They would be the artist. It is the job of artists to give the audience what they need
I went to London to do the stuff. I was like "What am I going to do? What's going to happen?" But then once you start working, you forget all that and you start enjoying what you're doing. Once you enjoy the process, you know that people are going to do the same thing. If you don't enjoy it and just do it like a job, then it's going to be feel that way. That's my theory of doing a movie.
I'd like to give the audience what they've always wanted to see and also I want to give the audience what they've never seen. It's these two things I'm striving for.
So when somebody asks me to make a decision about a situation, I don't offer a solution, I ask a question: What are our options? Give me the good, give me the bad, give me the pretty, give me the ugly, give me the impossible, give me the possible, give me the convenient, give me the inconvenient. Give me the options. All I want are options. And once I have all the options before me, then I comfortably and confidently make my decision.
It's all about his determination. You never, ever, give up once you start something, once you're on the trail of something you don't stop and that's what you have to go through when you're making a movie too. Once the train's rolling, you have to stick with it.
To say you're going to wiggle your nose and that is going to happen, it won't happen. If you look at major companies who are doing wonderful things, wonderful things and they give their portfolio billions of dollars that they make and they give away $10 million or so, when you start putting the percentages there, what we are doing is significant.
I always hear people say I give the same answers or I don’t give you much. No, I just don’t give you much negativity. When people are negative a lot, it starts to creep into your mind, and then you start having doubts, and I don’t like that. If there’s another way, show me. My job is to stay positive. My job is to limit distractions. And if you get annoyed by that, I don’t expect you to understand because you’re not in my shoes.
When you're in a movie with an audience, you can feel where a film is dragging. People start to move. They fidget. You need that perspective. To give it a cold eye.
When I give talks like the one I'm going to give at the Changing Advertising Summit, one of the points I often make to the audience is that I'm not one of those speakers who stands in front of the audience and pontificates - everything I talk about I'm actually doing myself. I'm living it.
I wasn't an academic looking in books for ideas. But I educated myself about historical work that was similar to mine, to provide a frame of reference that wasn't the usual frame of reference of the New York art world and Europe.
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