A Quote by Joseph Gordon-Levitt
That's sort of what I wanted to make fun of a little bit with Don Jon. And I think oftentimes, if you're going to talk about a sort of substantial topic like this, the best way to do it is with a sense of humor.
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I'm always sort of looking for projects that I can sort of put out into the world, into the public sphere, and to somehow cause an effect. I want to be able to create projects that sort of are going to make people think and think in this sort of magical, sort of fantastical way.
I think one of the things about ageing is the jagged peaks become a little bit mellower...? Heheh. And I feel like I'm able to understand a little bit better where that sort of tack comes from.
Uncle Fester always intrigued me. I certainly always enjoyed his kind of humor. He's just full of mischief in a kind of macabre way. I don't see anything twisted about it. It's sort of ridiculous and wacky. It's sort of fun.
I think you do have to attend to the sort of core values of film, which is that the audience wants to have a relationship with the characters, they want to understand what's going on there. There are certain things that comics can have a little bit more freedom in then when you're asking an audience to engage in it as a piece of cinema, but I do feel like the canvas is much bigger and wider and that we're being invited and frankly challenged to take risks, to be a little bit different. And that's fun, that's exciting.
Fox does the NFL a lot like they program the rest of the network. There's sort of a locker room sense of humor that prevails. With ESPN, it's more like a pat-you-on-the-back kind of comedy. I mean, they'll all get on each other a little bit, but it's never mean-spirited.
The song is based on a lot of observation and a lot of speculation. But in sort of a pointed way its kind of about Madonna...I think it was a particular time where I was being bombarded with her image on TV and in magazines and her whole schtick kind of speaks to me in that way...like she's going through some sort of problem. It seems she's getting a bit desperate.
If the movie is terrible you can have fun. You can joke about it and have a ball. The movie is already sort of established as a kind of extraordinary piece of work even though it hasn't opened yet to the public. It is harder because you can't go against it and you can't be interesting. You have to go with the flow. Although one is very happy to be in it, it is sort of hard to talk about it. It is hard to talk about successful. It is much easier to talk about failure.
'Gatekeeper' was sort of my first attempt to put a little bit of a frame and boundaries around songwriting, and try to figure out a way to approach it that had a sort of end result in mind. I haven't written many like that.
In my mind that's the best thing I can do for my girl, is to love my body and the way I look. That's what I sort of decided when she was young. And so it's sort of about faking it until you can make it.
I always cast people with a sense of humor because people that are super serious don't understand when I ask them to eat a booger it's not necessarily about that. It's about something more. It's about inviting a little bit of absurdity into the process and humanity into the process. Making sure that no matter who we are and what sort of pedestal or glamorous lighting we're under, we're all eating boogers man.
Gatekeeper was sort of my first attempt to put a little bit of a frame and boundaries around songwriting, and try to figure out a way to approach it that had a sort of end result in mind. I havent written many like that.
I don't think that I could have survived in my family without a naughty sense of humor; yeah, absolutely. I think my brother and I both get our senses of humor from our parents. I mean, my mother was absolutely hilarious and foul. She had the most ridiculously off color sense of humor, so that was sort of what we grew up with.
Humor is a bit like Mary Poppins' sugar-it helps the medicine go down. A little bit of humor allows people to think about very difficult subjects.
I write a lot on airplanes actually because it's completely isolating; there's no one to talk to, there's nothing to do. And then I think a lot of it sort of comes out sitting down with the people I'm co-writing with and talking to them about what I'm going through and what I want to say. It just sort of happens; every song came about in a completely different yet organic way.
Writing is a little athletic for me. I get worked up a little bit when I do it. So I guess I'm a little bit like that composer conducting. There are a lot of things that go into what I do, but I think athletics really sort of shaped my ethic.
And religious music and the sort of symbolism of it and everything. But I had this idea. Actually, I sort of dreamt it. I woke up - just before waking up one morning, I sort of dreamt this song or the idea of it and the first little bit of it. And I jumped out of bed and I thought, well, you're still asleep. You're going to forget this in a minute - you know, like you do when you've had a dream.
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