A Quote by Joseph Haydn

It is the melody which is the charm of music, and it is that which is most difficult to produce. The invention of a fine melody is a work of genius. — © Joseph Haydn
It is the melody which is the charm of music, and it is that which is most difficult to produce. The invention of a fine melody is a work of genius.
The most difficult thing in music is still to write a melody of several bars which can be self-sufficient. That is the secret of music. While the technique should be as perfected as possible, that is a lesser essential Anybody can acquire a brilliant technique Melody alone permits a work to survive.
The only form of music is melody, without melody music is not feasible, and music and melody are quite inseparable.
Melodies can be good depending on the context. You can have a simple melody, and if the harmony behind it is interesting, it can make a very simple melody really different. You can also have a complex melody. The more complex it is, the harder it is to sing, and then sometimes it can sound contrived. You could write a melody that would be fine on a saxophone but if you give it to a singer, it can sound raunchy.
The melody seems to have gone to the country. The country music seems to still have melody and interesting lyrics. But pop music, you've got to really listen hard to somebody who's doing a good melody and a good lyric.
I have never doubted the importance of melody. I like melody very much, and I consider it the most important element in music, and I labour many years on the improvement of its quality in my compositions.
All my songs are based on melody, which is retrieved from my Jewish heritage. Melody will always exist no matter what the rhythmic changes there are.
Harmony is the third element of music, after melody and rhythm, and also the one which requires the most study to actually master. People can be very instinctive and extremely gifted melodically and rhythmically, and harmony can still be difficult.
I think I was annoyed going through the '90s just as a guy who loves music. There wasn't a lot of music for me. Everything was groove driven. We lost the plot with the melody. There's no more melody.
In Hungary all native music, in its origin, is divided naturally into melody destined for song or melody for the dance.
Luckily, like for instance the song "Suicide Dream 1," I wrote it out of such an incredibly powerful state that the melody carries that affect. So when I produce that affect, that melody, with my body, I'm immediately thrown into it.
Melody always comes to me first before words - cadence and melody. When you're humming the melody and it's incredible and words start coming out it can build into something special.
I have a 'Play The Melody' philosophy. It means don't over arrange, don't make life difficult. Just play the melody-and do it the simplest way possible.
The nobleness of silence. The highest melody dwells only in silence,--the sphere melody, the melody of health.
From a very early period of my life I have derived the highest enjoyment from listening to music, especially to melody, which is to me the most pleasing form of composition.
Melody was banned from music by the composers of the avant-garde. I was unique among them in always using and writing melody and so I think this is why I've shared my music, why they can have also pleasure, not only an interesting structure.
When I first came to London I thought there'd be this amazing music scene, but I was quite let down by how little was going on and how few ideas there were in music. Bands were writing songs that had no melody, and I wondered, why is that, melody is the most important thing in a song. It's the thing that sticks in your head.
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