A Quote by Joseph Heller

I write longhand and I type and I rewrite on the typed pages. — © Joseph Heller
I write longhand and I type and I rewrite on the typed pages.
You get attached to the way you write, and I'm attached to notebooks. That's where I really write the plays. Just two or three pages at a time, then I transfer to the typewriter and rewrite while I type.
I don't read anything electronically. I don't write electronically, either - except e-mails to my family and friends. I write in longhand. I have always written first drafts by hand, but I used to write subsequent drafts and insert pages on a typewriter.
I began to write when I was seven, and I have been writing off and on ever since. It is still off and on. You can say that when I am on, when I know I have a book which I am going to write, then I write two thousand words a day. That's so many pages longhand.
I write all over the house. Because I write in longhand, I can go anywhere I want... I have some notebooks here and there, and then I type it in and pull it out, and I do the revisions all over the place.
I write in longhand. I am accustomed to that proximity, that feel of writing. Then I sit down and type.
I always write on unlined typing paper and write the first draft in longhand, using cheap Bic pens. I try to write about four pages a day, which usually yields a first draft in six months. I don't plot ahead of time, so I'm flying by the seat of my pants for the first draft.
I do a lot of revising on paper. Sometimes I think I should just write longhand - what I type reads very different once I print it out.
I always rewrite the very beginning of a novel. I rewrite the beginning as I write the ending, so I may spend part of morning writing the ending, the last 100 pages approximately, and then part of the morning revising the beginning. So the style of the novel has a consistency.
You can't rewrite nothing, but you can rewrite 90 pages of sh*t. Now you've got your sh*t on the page, you can go work.
I write and rewrite and rewrite and write and like to turn in what I think is finished work.
I wrote out little mysteries in longhand, and my mother typed them out on an old Remington.
Being typed is not important. For a while vou are typed as one thing. You get out of that. Then you are typed as something else. You can break away from everything except comedy. It's fatal to be typed as a comedian. You can't get out of that.
Just because something is typed-whether it is typed on a business card or typed in a newspaper or book-this does not mean that it is true.
There were guys in 'The State' who would take one script and rewrite it and rewrite it and rewrite it and fight for it for a whole season, and after a couple of seasons, you realized that doesn't work. You have to just be willing to throw something away, no matter how good it is, and write a better joke.
I suspect many people have the problem that they type much more slowly than they think. Consequently, they keep resynchronizing their thought processes with what they have typed so far, and they match a later part of the thought with an earlier part that they have typed.
I'm not typing. I write only by longhand. I've always written first drafts by hand and then once I was into a second or third draft I wrote insert pages on a typewriter. But I got rid of all my typewriters about three or four novels ago and now I do everything by hand. I write by hand because it makes me go slow and going slow is what I like.
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