A Quote by Joseph Heller
He knew everything about literature except how to enjoy it.
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Nothing is harmful to literature except censorship, and that almost never stops literature going where it wants to go either, because literature has a way of surpassing everything that blocks it and growing stronger for the exercise.
I knew nothing about the independent film industry. I didn't know much about the industry itself. All I knew was how to watch movies, how to enjoy them, how to hate them, how not to like them.
Because I knew how hard I worked, I knew the pain, I knew the sacrifice, I knew the tears, I knew everything. Despite everything, I stuck to it. I toughed it out, and I kept my head in the game, even when the odds were against me.
But there is no doubt that to attempt a novel of ideas is to give oneself a handicap: the parochialism of our culture is intense. For instance, decade after decade bright young men and women emerge from their universities able to say proudly: 'Of course I know nothing about German literature.' It is the mode. The Victorians knew everything about German literature, but were able with a clear conscience not to know much about the French.
When I went to Spain two years ago, I only knew three Valencia players. I didn't know anything about La Liga, and within six months, I knew everything. I was speaking another language and knew everything about the game, so I am a fast learner.
Literature is a vast bazaar where customers come to purchase everything except mirrors.
'Everything To Me' is about everything that's important. It's about my wife, my kids, it's about life, about being happy. It's about life in general, you know, about not knowing what's going to be around the corner, but you've got to enjoy it and enjoy the things you have. My wife, my kids, my health, and stuff like that.
I learned a lot with Andre Villas-Boas at Porto. He is very intelligent tactically. He was almost so well informed about the opponents that we pretty much knew everything about them when we went out on to the pitch. It was scary how much we knew.
I'll get an inspiration and start painting; then I'll forget everything, everything except how things used to be and how to paint it so people will know how we used to live.
I knew everything about her backstory. I skimmed through all the books and read through everything that happened between Sam (Chaske Spencer), Emily and Leah (Julia Jones), so by the time we started filming, I knew everything that had to do with my storyline.
By the age of nine, I had a thorough knowledge of contemporary Polish literature as well as of foreign literature in Polish translation, and I began to write poems in honour of a lady of thirty years. Naturally, she knew nothing about them.
By the age of nine I had a thorough knowledge of contemporary Polish literature as well as of foreign literature in Polish translation, and I began to write poems in honour of a lady of thirty years. Naturally, she knew nothing about them.
O sancta simplicitas! What strange simplification and falsification mankind lives on! One can never cease to marvel once one has acquired eyes for this marvel! How we have made everything around us bright and free and easy and simple! How we have known how to bestow on our senses a passport to everything superficial, on our thoughts a divine desire for wanton gambling and false conclusions! - how we have from the very beginning understood how to retain our ignorance so as to enjoy an almost inconceivable freedom, frivolity, impetuosity, bravery, cheerfulness of life, so as to enjoy life!
If I were a writer, how I would enjoy being told the novel is dead. How liberating to work in the margins, outside a central perception. You are the ghoul of literature. Lovely.
I think technical people now should learn literature, because literature teaches you a great deal about how - the depths and variety of human imagination.
But Jude,' she would say, 'you knew me. All those days and years, Jude, you knew me. My ways and my hands and how my stomach folded and how we tried to get Mickey to nurse and how about that time when the landlord said...but you said...and I cried, Jude. You knew me and had listened to the things I said in the night, and heard me in the bathroom and laughed at my raggedy girdle and I laughed too because I knew you too, Jude. So how could you leave me when you knew me?
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