A Quote by Joseph Joubert
Every modulated sound is not a song, and every voice that executes a beautiful air does not sing. Singing should enchant. But to produce this effect there must be a quality of soul and voice which is by no means common even with great singers.
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What is certain is that singing is not merely modulating a song by means of the voice: we sing and we celebrate the beauty that we can grow and live every day. If you want to sing and give emotions to those who are listening, you must have something to tell through your singing; you have to use singing like an instrument to tell something.
The voice is a human sound which nothing inanimate can perfectly imitate. It has an authority and an insinuating property which writing lacks. It is not merely so much air, but air modulated and impregnated with life.
We live in a society in which it seems that every space, every moment must be 'filled' with initiatives, activity, sound; often there is not even time to listen and dialogue... Let us not be afraid to be silent outside and inside ourselves, so that we are able not only to perceive God's voice, but also the voice of the person next to us, the voices of others.
The old jazz singers or old blues singers, you always just saw them kind of sitting down and singing. They weren't worried as much about their voice sounding perfect. They would make the song kind of fit their voice.
Writers have to be observant. Every nuance, every inflection in a voice, the quality of air, even - they all get mixed up in this soup of the story developing in our minds.
I knew I could sing but I always thought everyone could sing, that everyone was born with a singing voice. Even when I was getting interest from singing, I just thought 'what about all these guys?' Yes, I can sing, I have a good voice but there's so many people that can and do.
The voice is certainly important and you can hear if it's beautiful or not, it's the gods who decide; it's more a question of what you do with the voice, which is the mysterious element. It's the personality behind the voice which makes the artist. The voice is a gift of God, but if you're not able to use this gift, what's left? Nothing but a beautiful voice, without nuance or color.
I have a very clear understanding of what my voice is. It's like a B voice. It hovers around B-minus, B-plus. I have great friends who are wonderful singers, and I know I'll never be able to do that. But singing through a character is something I can do.
I lost my voice for the first time. I was so bummed out, but it happens to every singer at some point in their career. I don't think most people understand, but I sing every night and sometimes we do five shows in a row, which is really bad for your voice.
If you have a great love of singing, supported by others' fondness for your voice, then it is worth making every effort, of making every sacrifice, to achieve your goal. A great voice will easily find teachers who are willing to help a struggling young talent, and the ways of the Lord are infinite.
Hormone replacement therapy does not change or affect your voice. And I have no problem with my voice: I really like my singing voice, I don't feel any dysphoria with my talking voice.
I remember someone once saying, "Pete, you know you really should take voice lessons." And I said, "Well, if I could find any voice teacher that could teach me to sing like Lead Belly I'd spend every cent to study under him." But every time you'd go to a voice teacher, he'd teach you to warble, as if you'd want to be an opera singer, and that's not what I'm interested in.
I'm always thinking about songs and how I can sing a song that would resonate with my voice, my persona. I want it to be a pleasant experience that's not just about hearing my voice. I remember some singers whose voices were so pretty, it didn't matter what they sang - you loved it.
There's a lot of female singers and I don't want to dismiss them, but the male - and I have to be careful - the black male voice in jazz, whatever you say, is an important voice, because there's a tradition of the music that should be touched on, there's a sound that should be touched on.
What's funny about my voice is, no matter what I sing, I sound like I'm really sad. I don't even mean to do it, it's just something my voice has. I think that's one of the reasons why Okkervil has been dubbed as really mopey - I have this tone to my voice that sounds like that.
I don't like the idea of having to reproduce a recorded song live that I sing. I have enough to do on stage. I'm really busy up there, and I'm really busy with everything I have to do for every show. Add having to worry about my voice and singing lead on a song or two, that's not something I necessarily want to do.
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