A Quote by Joseph Kanon

I think most writers' houses are disappointing. What's much more atmospheric and interesting are the places they wrote about. — © Joseph Kanon
I think most writers' houses are disappointing. What's much more atmospheric and interesting are the places they wrote about.
I balance things better and don't kill myself so much, but conflict makes me a more interesting actress to watch. The places I go to pull emotions from, I think if you have a perfect, happy life, you just don't have those places. And I want those places. I'm proud of those places.
I think mystery writers and thriller writers - whatever genre you want to call it - are taking on some of the biggest, most interesting kind of socioeconomic issues around in a really interesting, compelling way.
Writers are frequently asked why they wrote their first book. A more interesting answer might come from asking them why they wrote their second one.
Dream dictionaries are so disappointing. They're so limited, and I think they're just total bullshit. I really do. I don't know much about the Freudian theory of dreams; it's probably more interesting than your average hippie dream dictionary, but it's got to be a lot deeper than that. It can't all be about sex all the time, so I don't know if Freud is right either.
At night, I love to look in the houses. When I was little, I did that much more, when I was so bored. It might be awful in those houses, of course, but I still speculate about them in a romantic way. It's the same if you are famous: you are in the light, and most people have fantasies about you, but these fantasies have nothing to do with reality.
You know, it's a funny thing about writers. Most people don't stop to think of books being written by people much like themselves. They think that writers are all dead long ago--they don't expect to meet them in the street or out shopping. They know their stories but not their names, and certainly not their faces. And most writers like it that way.
I am suspicious of writers who go looking for issues to address. Writers are neither preachers nor journalists. Journalists know much more than most writers about what's going on in the world. And if you want to change things, you do journalism.
I wrote The Same Sea not as a political allegory about Israelis and Palestinians. I wrote it about something much more gutsy and immediate. I wrote it as a piece of chamber music.
I think there's a little more attention to human needs than to property rights. But I don't think much of political activism. It's so shortsighted. Most people are interested in their own personal comfort. I've said that about environmentalists. I think they care about bike paths and places to park their Volvos, not the planet as an abstraction.
The more time passes in your life, I think the greater you understand perspective. So I'm happy that I've had experiences that have reminded me that most exciting things might not feel so exciting later, and the most disappointing things might not be so disappointing later, either.
I think the relationship between mother and daughter is so interesting, even in a semi-normal family. Emily Thorne/Amanda Clarke's family relationship is going to be so interesting to explore. It is going to give me so many places to go. Obviously, it has been said that she is not the most stable of characters. What is interesting about that, when you think about mental health, is that young women will often come into those problems and difficulties in their 20's, so it is very possible that this will start to affect her psyche.
To my surprise, the more I searched about Qi Xiangfu, the more I found of a life lived partly online. He once wrote a short memoir in which he described himself in the third person, with the formality usually reserved for China's most famous writers.
Houses! I hate houses. I like public places. Houses break your heart.
I think you reveal yourself by what you choose to photograph, but I prefer photographs that tell more about the subject. There's nothing much interesting to tell about me; what's interesting is the person I'm photographing, and that's what I try to show. [...] I think each photographer has a point of view and a way of looking at the world... that has to do with your subject matter and how you choose to present it. What's interesting is letting people tell you about themselves in the picture.
We want to do things that are interesting, great storytelling, some of it is gonna be more fun and funny, some of it is more serious and talking about interesting issues that we think are provocative and interesting to us. Kind of on a more political level. But, you know, just things that we find interesting that we think stories that need to be told.
The truth is that the writers who most influenced me weren't people categorized as crime writers. I'd say I learned more from John O'Hara, who isn't much read today but whose short stories I really admired, and Hemingway, who I think has lasted pretty good.
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