A Quote by Joseph Kosuth

Making something new to look at is a futile and empty act if its only audience is the eyes. — © Joseph Kosuth
Making something new to look at is a futile and empty act if its only audience is the eyes.
The vector equilibrium is the zero point for happenings or nonhappenings: it is the empty theater and empty circus and empty universe ready to accommodate any act and any audience.
I don't feel I'm fighting to reach this huge audience; it just happens. I go on stage before the audience arrives and look out to this vast empty house. There's something therapeutic about taking in the ring where you'll perform.
You changed the subject." "From what?" "The empty-headed girls who think you're sexy." "You know." "Know what?" "That I only have eyes for you." Laila swooned inside. She tried to read his face but was met by a look that was indecipherable: the cheerful, cretinous grin at odds with the narrow, half desperate look in his eyes. A clever look, calculated to fall precisely at the midpoint between mockery and sincerity
I think it's important for me, for my crew and for the audience to bring something new to each show. I have friends who have done the same act, word for word for word, for 20 years. I have a problem with that. I think the audience should see something new in each show.
To some extent, I have only lived to have something to outlive. By confiding these futile remembrances to paper, I am conscious of accomplishing the most important act of my life. I was predestined to Memory.
The real act of discovery consists not in finding new lands but in seeing with new eyes. The only adventure that is doomed from the start is the one we do not attempt.
The audience keeps singing, keeps making my case, and I just keep strumming until I get close enough to see her eyes. And then I start singing the chorus. Right to her. And she smiles at me, and it’s like we’re the only two people out here, the only ones who know what’s happening. Which is that this song we’re all singing together is being rewritten. It’s no longer an angry plea shouted to the void. Right here, on this stage, in front of eighty thousand people, it’s becoming something else. This is our new vow.
I have found when I look at an audience that the expressions on the peoples' faces aren't always up to par with the sounds that they're making. A crowd can sound like they're having a good time when your eyes are closed but if you open your eyes, the looks on some of those faces don't equal the sound.
When I was making 'Marjaavan,' I was asked why are you making this dated film. But we have to offer films for all audience and not only class audience. As a studio I have to balance it out.
We owe it to our past futile sacrifices to continue making further futile sacrifices.
I've never been heckled. I think because I look too small and vulnerable. Sometimes I look out into the audience and see pity in their eyes, so I guess those people may be the ones who would shout something out if they didn't feel so sorry for me.
Feelings are great liars. If Christians worshipped only when they felt like it, there would be precious little worship. We think that if we don’t feel something there can be no authenticity in doing it. But the wisdom of God says something different: that we can act ourselves into a new way of feeling much quicker than we can feel ourselves into a new way of acting. Worship is an act that develops feelings for God, not a feeling for God that is expressed in an act of worship.
Eyes Tell Stories But do they know how to craft fiction? Do they know how to spin lies? His eyes swear forever, flatter with vows of only me. But are they empty promises? I stare into his eyes, as into a crystal ball, but I cannot find forever, only movies of yesterday, a sketchbook of today, dreams of a shared tomorrow. His eyes whisper secrets. But are they truths or fairy tales? I wonder if even he knows.
Be a giver. Share whatsoever you can. And remember, I am not making any distinction between. small things and great things. If you can smile whole-heartedly, hold somebody's hand and smile, then it is a creative act, a great creative act. Just embrace somebody to your heart and you are creative. Just look with loving eyes at somebody; just a loving look can change the whole world of a person.
Look...at...me..." he whispered. The green eyes found the black, but after a second, something in the depths of the dark pair seemed to vanish, leaving them fixed, blank, and empty. The hand holding Harry thudded to the floor, and Snape moved no more.
There are only so many wrestlers that can actually look and act the part, and do whatever they have to do in WWE, and that's a lesson to be learnt for a lot of wrestlers, you need to look the part. If you don't, there is very little chance of you making it here.
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