A Quote by Joseph L. Mankiewicz
I got a job at Metro and went in to see Louis Mayer, who told me he wanted me to be a producer. I said I wanted to write and direct. He said, "No, you have to produce first, you have to crawl before you can walk." Which is as good a definition of producing as I ever heard.
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In 2009, Scott Rudin sent me August's [Wilson] original screenplay [Fences] and asked me what I wanted to do with it. He wanted to know if I wanted to act in it, direct it or produce it. I said, "Well, let me read it first."
When I got to the NFL, they asked me what number I wanted, and I said No. 44, but they told me tight ends are not allowed to have that number. So I said, 'Just double it up for me if you can' and took No. 88. I figured I'd be twice as good as I was.
I adored you,” North said. “I just didn’t tell you. You were the most amazing thing that had ever happened to me. Nothing else like you in my world before or since. I was crazy about you. I still am. Ten years later you walk into my office and I see you and it’s like the first time, I can’t think, I can’t talk, I just need you with me. It makes me crazy, but now that I’ve got you back . . . You’re everything, Andie. I should have told you that before.
Most of my teachers wanted to send me to the principal's office. But my fourth-grade teacher once put her arms around me and said, 'You sure write well.' And I've had good penmanship until this day. She was the only one who ever said anything nice to me. That's the kind of motivation that students need.
I'm not good for you. I don't know why you make me want you so bad. I was angry with myself when I said all that earlier. I was mad because I wanted you in a way I'd never experienced before. Before you, I just wanted to excel in football and school. I wanted my parents to be proud of me. But now, I want other things too. You get to me in a way I don't understand
'Hollywood maids' are so idiotic. They grin at everything. I told Norman Lear I didn't want to play a maid because of that 'hee-hee/grin-grin' attitude, and he said, 'Who said I wanted that?' He told me he wanted two strong women that are the black and white of the same coin. I said, 'Oh, well - in that case, I'll be right there!'
I wanted to be self-sufficient, I wanted to take care of myself, and I wanted to learn. I wanted to travel, I wanted to see the world and have my eyes opened. I wanted to be consistently challenged, and I knew I needed to be creative in some way. When I got my job in a bar and I could pay for my tuition and go on auditions and sometimes get jobs that I loved and pay my rent, I knew that I would be all right. That's when my dreams came true, long before the telephone rang and someone said, 'Come and meet Tom Cruise'".
My manager told me that Cardi B wanted to meet me, and I said, 'You can't be believing everyone who calls you.' But at the end, I met her, and she actually told me that she wanted to collaborate with me eventually.
I was 11 when I first said I wanted to become an actress, and everyone looked at me as if I had said I wanted to go to the moon.
I was at a small private school in London. I wasn't very academic. My dad said to me, 'OK, you might as well leave, since you're not working very hard'. When I told I him wanted to stay on for my A-levels, he said I'd have to pay my own fees, then he'd pay me back if I got good grades.
My mother, whose family was heavily rabbinic, said she wanted me to continue the family tradition in the rabbinate. My father said he wanted me to be a scholar of the Talmud, but he wanted me to make my living in science.
That's what I wanted! I wanted to be an athlete, I wanted the girls to like me, and I wanted to be able to get good grades in school, and this man said I could do all that.
I started to write the song. And I was in Gladewater, Texas, one night with Carl Perkins and I said, I've got a good idea for a song. And I sang him the first verse that I had written, and I said it's called "Because You're Mine." And he said, "I Walk The Line" is a better title, so I changed it to "I Walk The Line."
Lemuel Ayers had had a huge success producing and designing Kiss Me, Kate. He wanted to produce this as a musical. I got the job. It was a professional score.
I knew I wanted to be an actress, but I hadn't ever really told anyone. I'd always got quite good grades, so people assumed I would go and do a 'normal' job. My dad took me to my first audition for drama school and picked me up without anyone knowing, really.
Danny DeVito knows about the business from many different perspectives, because he is a producer and director as well as an actor. At one point we were on the set late at night and he said: 'come here I want to brush your hair'. I said 'ok'. He sat there brushing my hair and told me that his job before becoming an actor was as a hair stylist in Manhattan. I said "what?" But it is true.
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