A Quote by Joseph Mazzello

Make acting seem real and as if it weren't acting. Just make it real. — © Joseph Mazzello
Make acting seem real and as if it weren't acting. Just make it real.
Make acting seem real and as if it werent acting. Just make it real.
Can you explore real issues as a fake character? Yes - it's called acting. Or fiction. But acting is not a method of engaging with the actual world, just as pretending to know what a character might eat does not a novel make - much less make that make-believe real.
If you look up the definition of stand-up comedy, it's funny on purpose. A little bit of pressure there. It's basically acting. You're telling stories and acting them out for people. The more you make it seem real, really a person doing it, then it seems to me the better it works.
Acting is a challenge at times. I mean, when you have scenes where you're jumping into a mascot bear to travel back in time, and you try to make that seem real. For me, I'm a person that has a pretty wild imagination, just kind of letting that run wild and sort of just doing the best you can to not feel stupid.
I kind of connected the dots, like, 'Oh, we're just saying stuff. We're just saying things that make sense, so let's just say them like you say them in real life.' It was my first and one of my only acting lessons 'cause I never really studied acting.
Although we're acting, and our minds know that we're acting, our bodies don't quite know that we're acting. So even when you're watching someone acting like they're dying, your body has like a true real response to it.
You put on a face for the public. The face isn't false; it's just another side of you. If it were false, you couldn't last. People want something real and natural, and if they catch you acting, you're dead. It has to look real. In order to look real, it has to be real, and I've always thought of the characters I've played as real people.
I just encourage everyone to make real music and it will fuel the engine and the machine. Just make it real and put your heart into it. Don't make it because you heard someone on the radio.
I always have a rule that acting is acting and truth is truth and you just go out there and you do it. But what happens in each medium is that you have other responsibilities. The acting remains the same, but each medium dictates assuming other halves to make the acting work.
That to me is what my idea of film acting should be. There shouldn't be any acting. You should just be watching a real person.
I think the best advice I got is that acting isn't acting - you just want to just be, you want to be just real, be in the moment and react.
You can tell a book is real when your heart beats faster. Real books make you sweat. Cry, if no one is looking. Real books help you make sense of your crazy life. Real books tell it true, don't hold back and make you stronger. But most of all, real books give you hope. Because it's not always going to be like this and books-the good ones, the ones-show you how to make it better. Now.
Because I came into acting late, my references come from real life. That's my biggest inspiration. It's probably the reason I moved back to New York. I'm just a lot more inspired by real life than I am by depictions of real life.
The actors make the film. They're the ones that take this theoretical movie that's in your head and make it real. The success of a film is entirely on their shoulders. I admire them, because acting is such a difficult thing to do, and I personally can't understand it.
Acting is never done. We're trying to keep it real and make sure that you're entertained and it seems unrehearsed.
Production has a lot if risks but I think acting is more challenging. You have to make a character look real.
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