A Quote by Joseph Mazzello
People are always like, 'Oh, 'Jurassic Park' is on...' or 'Oh, 'The River Wild' is on...' I actually haven't seen any of my movies in a long time. Being more self-aware now, and being an adult, I'm a little bit embarrassed to watch them.
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In a lot of ways being actor is like with any job, at first it's sort of like alien to you a little bit... a little foreign. And then as time goes on... when I was a kid I'd take a role... it's kind of funny too, because now I have the attitude also "All I am is just like making movies." When you're a kid it's like, "Oh my god, I'm making a movie! It's so much pressure!".
It's hard to describe to people how terrible it was when you could only watch cartoons at a certain time in your life. But no, I would watch all of them - the Warner Bros. cartoons and the Bugs Bunnys and then the Tex Avery stuff. Looking back on it, they were so incredibly subversive for their time. You'd think, "Oh, they're just making jokes and this or that." But when you watch them as an adult, you think, "Oh no, they were talking about some pretty deep stuff."
Oh, I'm being eaten By a boa constrictor, A boa constrictor, A boa constrictor, I'm being eaten by a boa constrictor, And I don't like it--one bit. Well, what do you know? It's nibblin' my toe. Oh, gee, It's up to my knee. Oh my, It's up to my thigh. Oh, fiddle, It's up to my middle. Oh, heck, It's up to my neck. Oh, dread, It's upmmmmmmmmmmffffffffff . . .
Being wild can be wearing a silly hat. Being wild can be dancing weird. Being wild can be shooting people. What do I think being wild is? Nothing. Actually, the whole world is wild. Everything is wild.
I've been saying I really want to get a 1992 Jeep Sahara, and I'm going to paint it so it looks like the 'Jurassic Park' Jeep. I've actually seen a guy who did have a Jeep Sahara, and he did make it look like the 'Jurassic Park' Jeep. I gave him a thumbs up and said, 'You're awesome!'
All of a sudden I was Joan [Mad Man] and they're going, "Oh, so she plays a badass in this." And I'm like, "Oh my god, I get to play badasses." Firefly was a little bit of that, but she started out as a mouse and then she turned into a dragon. But I never really had that opportunity. So all of a sudden people were like, "Oh, do you feel like you're being typecast?" I would say, "No, this is just opening the doors." No one thought I could do it and someone finally trusted me to do it.
I love stories where the impossible appears believable, plausible and real. Maybe it's silly, but it's one of the reasons Michael Crichton's writing always appealed to me: he took outlandish ideas and made them seem completely within the realm of possibility. I remember reading "Jurassic Park" and feeling like: "Oh, yeah - no, that's totally happening right now. They're bringing back dinosaurs!"
I liked making people laugh. I remember that specifically, being really young and having my parents being in the audience and laughing. It wasn't really a 'Oh, I'm the center of attention' feeling; it was more 'Oh, I'm making them so happy right now' feeling. I liked that.
I think it's really cool that videogames are getting more and more sophisticated and believable, and that people who worked on movies are being asked to art direct and design video games and characters, so they look better and better. When I see Jurassic Park on the screen, I predicted that games would be able to create a virtual experience that was just as real as the movies - we're not quite there yet, but it's getting better all the time.
(Human) beings, in Pagan times would kind of like, listen to the stories and, they could kind of, identify - . They were, like, bigger than them and more successful than them or more beautiful, but they had these human fallibilities. Which is like celebrities now. It's like, 'oh, she's in rehab. Oh, she's unfaithful. Oh, they're divorced. Oh, she's anorexic. Oh, he's had a nose job.' You know, whatever it might be.
The movies I used to watch, I remember always being so angry because I felt like I, as a teenage girl, was never truly represented in a film. There were always bits of me that were represented - I'd watch 'Juno' and be like, 'Oh, well part of me is like that, but it's still not the whole thing.'
You get really scrappy when you're making things for zero dollars, and you just have to keep thinking like that. It's not like, 'Oh, we now have a little bit more money, let's do things differently.' If you just keep boiling it down to the simplest possible way to make it, I think that always ends up being the best.
Now, once again, we find ourselves facing rising gas prices, and the question is: This time, are we going to learn from the past? Are we finally going to get serious about energy conservation? Of course not! We have the brains of mealworms! So we need to get more oil somehow. As far as I can figure, there's only one practical way to do this. That's right: We need to clone more dinosaurs. We have the technology, as was shown in two blockbuster scientific movies, Jurassic Park and Jurassic Park Returns with Exactly the Same Plot. Once we have the dinosaurs, all we need is an asteroid.
People say it's a bit repetitive to say, 'Oh oh oh oh oh oh,' but you can't translate the melody into words.
I want each season to feel new and special. I don't want it to feel, "Oh, more of this." That's something that's easy to do in the first three seasons, and harder to do as you go. I'd rather err on the side of blowing up everything and being like, "Why did you do that? There was more story to tell there," and moving the family to Mexico like on Weeds, instead of people going, "Oh, we've seen this already. We're tired of this."
Now it's like, I'll go to Starbucks, or I'll go to the mall or anywhere, and lots of people will recognize me, and I'm like, 'Oh, wow, this is actually a thing now; this is happening.' It can get a little bit crazy at times, but I love meeting people, and people shouldn't feel scared to come up to me and say 'Hi.'
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