A Quote by Joseph Morgan
There seems to be a feeling we need Klaus to be in 'The Vampire Diaries,' surely and partially because of the Klaus and Caroline dynamic, but many people love the character. They want to see more of the character, but people really have a tendency to fear the unknown.
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When it comes to vampires, Daniel Gillies's Elijah is the cream of the crop. Since leaving 'The Vampire Diaries' to headline 'The Originals,' we've seen the brother of Klaus grow from the altruistic, steadfast, suit-wearing stud into a complicated, nuanced lead.
Some of my favorite moments from The Vampire Diaries were from season 3. I found the storyline between Stefan and Klaus to be extremely compelling. It was a friend/foe type friendship, rooted in depth that took us back to the 1920s.
You expressed yourself by looking different from other people. We even looked different from each other. But among the Exis, there was a close group of us, Klaus Voormann, Jurgen Wollmer and me. Klaus and I always wore black.
As far as the quote-unquote shipping community goes, I love the passion behind anyone who ships Caroline and Klaus. They are very hardcore shippers.
There are so many different ways to develop a character - physically, mentally, spiritually and all of that - but the research was really beautiful. I love the process of finding characters because, in the beginning, it's really unknown, and then, by the end of it, all of a sudden, you're walking and talking like that character.
This character matters so much to so many people. I want to get that right. I want to do it justice. I want people to believe in the character and have faith in the character and kids to grow up wanting to be Superman. Or, God forbid, there's people who are going through hardship and wishing that this character would turn up and save them.
When you are writing, you have to love all your characters. If you're writing something from a minor character's point of view, you really need to stop and say the purpose of this character isn't to be somebody's sidekick or to come in and put the horse in the stable. The purpose of this character is you're getting a little window into that character's life and that character's day. You have to write them as if they're not a minor character, because they do have their own things going on.
I do think that people get really emotionally involved in the TV shows that they love and I think that is fantastic. Of course they are going to have opinions. The other thing is that people project onto their television shows. They see a character and layer on many traits that are actually their own or their idea of what that character is.
I feel like Caroline Forbes is such a crucial element... on 'The Vampire Diaries.'
If I could separate 'The Originals' from 'The Vampire Diaries' in a nutshell, I'd say that 'The Vampire Diaries' is more coming-of-age, and we're more these monsters reveling in who they are and what they are.
Klaus sighed, and opened a book, and as at so many other times when the middle Baudelaire child did not want to think about his circumstances, he began to read.
I want to play so many different characters. I want to, like, understand so many different people, and psychoanalysis, everything. I love that about my job: getting into the character and understanding it and doing the psychoanalysis and creating that character.
With all due respect to 'The Vampire Diaries,' doing the same thing, over and over again, for essentially five years straight, it really becomes laborious and tedious, and it becomes a job. You obviously find gratification in acting, but you're playing the same character. No matter how compelling it is, it starts feeling pretty monotonous.
I was doing the Klaus Schulze noise-kid thing before it became interesting to people.
'The Vampire Diaries' is my favorite show, so being on it was cool. I really wanted to be on all of my favorite shows, so I was on 'The Vampire Diaries', 'Law and Order', and 'House.'
Where does a character come from? Because a character, at the end of the day, a character will be the combination of the writing of the character, the voicing of the character, the personality of the character, and what the character looks like.
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