A Quote by Joseph O'Neill
I felt shame - I see this clearly, now - at the instinctive recognition in myself of an awful enfeebling fatalism, a sense that the great outcomes were but randomly connected to our endeavors, that life was beyond mending, that love was loss, that nothing worth saying was sayable, that dullness was general, that disintegration was irresistible.
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I wanted her to see that the only life worth living is a life full of love; that loss is always part of the equation; that love and loss conjoined are the best opportunity we get to live fully, to be our strongest, our most compassionate, our most graceful selves.
I mean, in many ways, you know, I felt very connected to Ian (Dury) on, on a lot of levels. I mean, politically, & sort of, socially, our, kind of, social backgrounds are quite similar in many ways, as well as our kind of artistic endeavors. So there were many, many things that sort of chimed in for me, and kind of made me feel very instinctive about playing him, and, and although, there was sort of a certain amount of impression involved, actually, there's a lot of myself in the role.
I have felt the pain that arises from a recognition of beauty, pain we hold when we remember what we are connected to and the delicacy of our relations. It is this tenderness born out of a connection to place that fuels my writing. Writing becomes an act of compassion toward life, the life we so often refuse to see because if we look too closely or feel too deeply, there may be no end to our suffering. But words empower us, move us beyond our suffering, and set us free. This is the sorcery of literature. We are healed by our stories.
So much of my self worth was tied with my position. It felt like I was being enveloped in darkness. It was a sense of loss of enthusiasm, a loss of happiness, a significant decline in self worth.
From what has been said we can clearly understand the nature of Love and Hate. Love is nothing else but pleasure accompanied by the idea of an external cause: Hate is nothing else but pain accompanied by the idea of an external cause. We further see, that he who loves necessarily endeavors to have, and to keep present to him, the object of his love; while he who hates endeavors to remove and destroy the object of his hatred.
I, first of all, felt a great sense of loss, a sense of condolence for the friends that I had that were killed in that, for the loved ones.
The loss of these tastes [for poetry and music] is a loss of happiness, and may possibly be injurious to the intellect, and more probably to the moral character, by enfeebling the emotional part of our nature.
How different things might be if, rather than saying "I think I'm in love," we were saying "I've connected with someone in a way that makes me think I'm on the way to knowing love." Or if instead of saying "I am in love" we say "I am loving" or "I will love." Our patterns around romantic love are unlikely to change if we do not change our language.
Hate crimes are different from other crimes. They strike at the heart of one's identity - they strike at our sense of self, our sense of belonging. The end result is loss - loss of trust, loss of dignity, and in the worst case, loss of life.
There were points in my life where I felt oddly irresistible to women. I'm not in that state now and that makes me sad.
You know, I used to think it was awful that life was so unfair. Then I thought, wouldn't it be much worse if life were fair, and all the terrible things that happen to us come because we actually deserve them? So, now I take great comfort in the general hostility and unfairness of the universe.
Like we were saying, the fact that the relationships on the show are love-based, and in the sense that I wasn't aware of how special it was in contrast to a lot of the other TV shows that are on right now. It was our audience members that pointed out the love that you see in the show is special.
General observations drawn from particulars are the jewels of knowledge, comprehending great store in a little room; but they are therefore to be made with the greater care and caution, lest, if we take counterfeit for true, our loss and shame be the greater when our stock comes to a severe scrutiny.
Everything I know and I am and I have seen felt done past present past now then before now seen felt done hurt felt focus into a something beyond words beyond beyond beyond and it speaks now and it says. Stay. Fight. Live. Take it.
I leave this life with no regrets. It was a wonderful life - full and complete with the great loves and great endeavors that make it worth living.
Liam in Taken has been great to see. My boys love it. They love him. And there's just the gravitas to it. It's believable. You know the guy's endured. You know the guy's lived some life. Someone like Liam has lived a lot of life. Myself, I've lived a lot of life. There's loss. There's success. There's loss. There's doubts. And there's some heartbeat there.
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