A Quote by Joseph O'Neill

One of the great pluses of being an immigrant is you get to start again in terms of your identity. You get to shed the narratives which cling to you. — © Joseph O'Neill
One of the great pluses of being an immigrant is you get to start again in terms of your identity. You get to shed the narratives which cling to you.
You have to be willing to get back on that horse and try it again if the mood strikes. That was one of the great pieces of wisdom that I got early on in my career in terms of being blocked. If you get to a creative roadblock, you can sit there and rack your brain.
When you start to think of the arts as not this thing that is going to get you somewhere in terms of becoming an artist or becoming famous or whatever it is that people do, but rather a way of making being in the world not just bearable, but fascinating, then it starts to get interesting again.
Being an immigrant mother can be hard, but being a poor immigrant mother is much harder. You don't generally get to sit in cafes polishing your French by reading 'Le Monde.'
I was interested about how relationships change as you get older. You are great friends in your 20s. In your 30s, you get married. Your 40s are all about your kids. In your 50s, you get divorced, and your friendships become primary again.
For being human, we remember and forget. We stray and return, fall down and get up, and cling and let go, again and again. But it is this straying and returning that makes life interesting, this clinging and letting go - damned as it is - that exercises the heart.
Which do you think is more my friend, the water in the four great oceans or the tears that you have shed on this long way of taking birth again and again?
Moving on after a break up is a great way to get back on your feet and start feeling happy again.
If you've built your identity only on your professional accolades and awards, what is going to be left of your legacy when those trophies tarnish and those records get broken? The Great Ones understand the importance of being well-rounded.
You are so used to the support of concepts that when your concepts leave you, although it is your true state, you get frightened and try to cling to them again.
I'm one of those apocalyptics. From the start of my immigrant days, I've been fascinated by end-of-the-world stories, by outbreak narratives, and always wanted to set a world-ender on Hispaniola.
I don't want to have to start being unselfish again. The great thing about being on your own is you do what you damned well like.
As a writer, being produced and getting credits is essential: it's like being a horse running a race - and if the movie is a success, then your horse won and people were right to bet on it. From my experience, and a lot of others have done it, it's the best way to start out in the industry and get recognition, which will then get you more work, and later on will allow you to do your own movies.
You win physically, you get momentum, and you get a foot in the game by winning your tackles and being dominant in that area. Then you can start to make your passes.
You know, one of the ways we adapted to not being free was to think that our group identity was again, the way we were being black, and being down with the cards. That was the way we were going to get it. Unity was everything.
The older you get, the more you fight for your own identity and start to live your own life.
It's not surprising, then, they get bitter, they cling to guns or religion or antipathy to people who aren't like them or anti-immigrant sentiment or anti-trade sentiment as a way to explain their frustrations.
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