A Quote by Joseph P. Farrell

When a man thinks he is reading the character of another, he is often unconsciously betraying his own. — © Joseph P. Farrell
When a man thinks he is reading the character of another, he is often unconsciously betraying his own.
When a man thinks he is reading the character of another, he is often unconsciously betraying his own; and this is especially the case with those persons whose knowledge of the world is of such sort that it results in extreme distrust of men.
Misanthropy ariseth from a man trusting another without having sufficient knowledge of his character, and, thinking him to be truthful, sincere, and honourable, finds a little afterwards that he is wicked, faithless, and then he meets with another of the same character. When a man experiences this often, and more particularly from those whom he considered his most dear and best friends, at last, having frequently made a slip, he hates the whole world, and thinks that there is nothing sound at all in any of them.
It is impossible to betray another man's child - for whatever reason - without also betraying one's own. To do less than justice to another man's child, no matter who that man is, is to impair by that much the chances one's own children have for a life of meaning and purpose.
Where no man thinks himself under any obligation to submit to another, and, instead of co-operating in one great scheme, every one hastens through by-paths to private profit, no great change can suddenly be made; nor is superior knowledge of much effect, where every man resolves to use his own eyes and his own judgment, and every one applauds his own dexterity and diligence, in proportion as he becomes rich sooner than his neighbour.
A man often thinks he rules himself, when all the while he is ruled and managed; and while his understanding directs one design, his affections imperceptibly draw him into another.
They talk of a man betraying his country, his friends, his sweetheart. There must be a moral bond first. All a man can betray is his conscience.
The man of character is the persistent man, the man who is faithful to his own word, his own convictions, his own affections.
. . . man is just what he thinks himself to be . . . He will attract to himself what the thinks most about. He can learn to govern his own destiny when he learns to control his thoughts.
Man first unconsciously and involuntarily creates God in his own image, and after this God consciously and voluntarily creates man in his own image.
A man is literally what he thinks, his character being the complete sum of all his thoughts.
One man thinks before he acts. Another man thinks after he acts. Each is of the opinon that the other thinks too much.
A person whose desires and impulses are his own - are the expression of his own nature, as it has been developed and modified by his own culture - is said to have a character. One whose desires and impulses are not his own, has no character, no more than a steam-engine has character.
I must say Steven Spielberg was great to me, and I loved working with him. He called me up on the phone and was like, "I want you to be in this movie - 1941. There are a couple of parts. You can take whichever one you want. One of them is a main character who is involved in everything, and there's another character who has his own storyline and goes off on his own. He's probably the funnier, more unique character." I said, "Well let me do that second one."
A woman always has her man, but the man unconsciously leans on his roots, his heritage. He feels like an orphan without his parents.
I think American man unconsciously hates his work very often, because he feels trapped by it... imprisoned by it... because he feels that he is spending most of his energy for something which has no meaning in itself.
When you're reading, like, a character's thoughts, or when it's in first person, you're reading kind of their own story, so you have the opportunity to see what makes that character complex or complicated. And to me, that's what the whole point of fiction is.
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