A Quote by Joseph Plaskett

Impressionism came about because it suddenly became apparent that pure colours mix in the eye in a more dazzling way than they have ever been mixed in paint. — © Joseph Plaskett
Impressionism came about because it suddenly became apparent that pure colours mix in the eye in a more dazzling way than they have ever been mixed in paint.
Suddenly, there was an enormous flash of light, the brightest light I have ever seen or that I think anyone has ever seen. It blasted; it pounced; it bored its way into you. It was a vision which was seen with more than the eye. It was seen to last forever. You would wish it would stop; altogether it lasted about two seconds.
But you could not have pure love or pure lust nowadays. No emotion was pure, because everything was mixed up with fear and hatred. Their embrace had been a battle, the climax a victory. It was a blow struck against the Party. It was a political act.
There are not more than five primary colours, yet in combination they produce more hues than can ever been seen.
I have long admired Ron Whitehead. He is crazy as nine loons, and his poetry is a dazzling mix of folk wisdom and pure mathematics
You have to get knocked down to realize how people really feel about you. I've realized that more than ever lately. The other day, I was on my way to the car. It was hailing, the streets were slippery and I was having a tough time of it. I came to a corner and started to slip. But before I could fall, four people jumped out of nowhere to help me. When I thanked them, they all said they knew about my illness and had been keeping an eye on me.
I have improved the way in which I paint. The colours are cleaner and there is more energy in the brush work.
The mind's eye can nowhere find anything more dazzling or more dark than in man; it can fix itself upon nothing which is more awful, more complex, more mysterious, or more infinite. There is one spectacle grander than the sea, that is the sky; there is one spectacle grander than the sky, that is the interior of the soul.
I had wrung impressionism dry and I finally came to the conclusion that I know neither how to paint nor how to draw.
'Grbavica' is first of all a story about love, about love that is not pure because it has been mixed with hate, disgust, trauma, despair.
Art, to me is the interpretation of the impression which nature makes upon the eye and brain. The word 'Impressionism' as applied to art has been abused, and in the general acceptance of the term has become perverted. [...] The true impressionism is realism. So many people do not observe. They take the ready-made axioms laid down by others, and walk blindly in a rut without trying to see for themselves.
No good to paint in the head - what happens is what happens when you put the paint down - you can only hope that you are alert - ready - to see. What joy it is for paint to become a thing - a being. Believe in this miracle - it is your only hope. To will this transformation is not possible. Only a slow maturation can prepare the hand and eye to become quicker than ever. Ideas about art don't matter. They collapse anyway in front of the painting.
I think that all art is socially conscious. There is no alternative. Whatever we produce contains a political and social statement. There's no way to avoid that, unless it is pure decoration. But even pure decoration has also some value because you can read pure decoration as a way to ignore the reality that is around us, saying, "Well, I'm not interested. I just like to paint this wall blue.
I think failing the qualifying or the 11-plus actually hurt me more than I realised. After I'd become a professor of physics at the Open University, I suddenly thought, 'This is a bit silly.' So I suddenly became much more open about it. But I think probably I was hurt by the failure and didn't want to talk about it.
There's been an amazing backlash for the last decade in America: political correctness. In many ways, I think that, while we've been remarkably violent in our media, there's been a real schizophrenia. In private, on the Internet, and on public-affairs shows or talk radio, we're way more explicit than we've ever been. But traditional Hollywood has been much more frightened than it ever was in the '70s about presenting things that could be perceived as politically incorrect.
Holi has always been a nightmare for me because of the dangers of synthetic colours. Eco-friendly colours are the best way to celebrate Holi.
I used to paint a lot of oil and now I paint more mixed-media stuff.
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