A Quote by Joseph R. Bartlett
Infatuation is the language of a beautiful eye upon a sensitive heart.
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I know the difference now between dedication and infatuation. That doesn't mean I don't still get an enormous kick out of infatuation;: the exciting ephemera, the punch in the stomach, the
adrenaline to the heart.
Ahab cast a covetous eye at Naboth's vineyard, David a lustful eye at Bathsheba. The eye is the pulse of the soul; as physicians judge of the heart by the pulse, so we by the eye; a rolling eye, a roving heart. The good eye keeps minute time, and strikes when it should; the lustful, crochet-time, and so puts all out of tune.
When I discovered that, through acting, you can speak a beautiful language aloud and have a relationship to language that isn't one that's just eyes-to-page, pen-to-page - it's one that's full-bodied, full-voiced, full-heart... it really opened my heart and made me feel like I could be a storyteller.
Whatever of goodness emanates from the soul, gathers its soft halo in the eyes; and if the heart be a lurking place of crime, the eyes are sure to betray the secret. A beautiful eye makes silence eloquent, a kind eye makes contradiction assent, an enraged eye makes beauty a deformity; so you see, forsooth, the little organ plays no inconsiderable, if not a dominant, part.
The language of the heart--the language which "comes from the heart" and "goes to the heart"--is always simple, always graceful, and always full of power, but no art of rhetoric can teach it. It is at once the easiest and most difficult language--difficult, since it needs a heart to speak it; easy, because its periods though rounded and full of harmony, are still unstudied.
For the Sensitive Plant has no bright flower; Radiance and odour are not its dower; It loves, even like Love, its deep heart is full, It desires what it has not, the beautiful.
As a child, I saw this beautiful film, Dracula's Daughter, and it was with Gloria Holden and was a sequel to the original Dracula. It was all about this beautiful daughter of Dracula who was an artist in London, and she felt drinking blood was a curse. It had beautiful, sensitive scenes in it, and that film mesmerized me. It established to me what vampires were?these elegant, tragic, sensitive people. I was really just going with that feeling when writing Interview With the Vampire. I didn't do a lot of research.
Isn’t the most sensitive point of this mourning the fact that I must lose a language — the amorous language? No more ‘I love you’s.
I feel it is the heart, not the eye, that should determine the content of the photograph. What the eye sees is its own. What the heart can perceive is a very different matter.
Needed are...[souls] filled with compassion, that we might communicate not only eye to eye, or voice to ear, but in the majestic style of the Savior, even heart to heart.
A secret love is beautiful, sweet and sacred when it's just a light infatuation; but when that person reaches over and touches you in the heart, making it alive in a way it has never known, that secret love becomes frightening, because you can never make them love you, you would never want to make them love you...but all the same, no matter which way you view it, they don't love you...and your heart doesn't know how to beat the same.
A lot of the time when people get married in the infatuation, it will go down. That is inevitable. The infatuation stage will not last forever.
You're incredibly brave. And you're going to make it through this because you have a very strong heart. A heart that is capable of loving so much about life and people in a way you never dreamt a heart could love. And you're beautiful in here. Your heart is so beautiful and someday someone is going to love that heart like it deserves to be loved.
Recording a Hindi song takes me around 40 minutes whereas a Kannada song takes me about two hours. The music isn't a problem, since the notes used are universal. The language is the problem. I try my best to get it right, as I'm sensitive about respecting every language, since all of them are sacred in my heart.
The paintings of Francis Bacon to my eye are very beautiful. The paintings of Bosch or Goya are to my eye very beautiful. I've also stood in front of those same paintings with people who've said, 'let's get on to the Botticellis as soon as possible.' I have lingered, of course.
The highest degree of love is Tatayyum (total enthrallment). The lowest degree is 'alaqah (attachment), when the heart is attached to the beloved: then comes sabahah (infatuation), when the heart is poured out: then gharam (passion), when love never leaves the heart: the nashaq (ardent love), and finally tatayyum.
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