A Quote by Joseph Roth
That was how things were back then. Anything that grew took its time growing, and anything that perished took a long time to be forgotten. But everything that had once existed left its traces, and people lived on memories just as they now live on the ability to forget quickly and emphatically.
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I like everything in this iPhone, iPod world where you can do everything all the time. Back in my time, you bought a vinyl record when you were a kid and took it home, and it took a bit of effort to actually get it out of the thing and not scratch it.
My name is growing all the time, and I’ve lived a very long, long time; so my name is like a story. Real names tell you the story of the things they belong to in my language, in the Old Entish as you might say. It is a lovely language, but it takes a very long time to say anything in it, because we do not say anything in it, unless it is worth taking a long time to say, and to listen to.
I wasn't as confident and creative in the beginning as I am now, so it was all very safe. But I was building my work, and it took me a long time. For a good five or six years I was just kind of bobbing around, doing everything and anything.
Once I had the voice, I knew I wasn't going to fall off the bicycle. I tap right back into it. It really was like learning how to ride a bike - you never forget, and I was able to carry it along with some ease. I never encountered any stumping problems that left me not knowing what to do, so I was mostly able to hold my ground. Of course, I should mention that it took me a long time to actually acquire the voice; there were a lot of frustrated attempts along the way, revisions to long sections and versions of the book that I abandoned.
There were a lot of races I was going to win at Milwaukee, but I had mechanical problems or something would happen, ... In the early years, it just took a long time for me to win a race. I got in somebody's oil one time and got in the wall, had a clutch go out once. . . so when I finally won one, it was a long time coming.
It took a long time, but I have learned that you just can't take anything you want out of life without putting something back in exchange.
Something’s died in me,” she goes. “It took a long time for it to do it, but it’s dead. You’ve killed something, just like you’d took an axe to it. Everything is dirt now.
I was building my work, and it took me a long time. For a good five or six years I was just kind of bobbing around, doing everything and anything.
'Bonfire' was kicking around for a very long time. It was an idea I wanted to explore for a television show. Then I was given this weird gift of time when 'Jessica Jones' finished season one. I got really organized and just kind of banged it out, but it took a long time. It took two years to even have a first draft.
I grew up in the suburbs and was raised on rap radio, so it took me a long time to stumble upon the acoustic guitar as a resource for anything.
Another thing that makes the process different is we go in there and are completely immersed in [that] world for however many weeks and then we would leave and they would be animating for however many weeks and we wouldn't have anything to do with it. Then we would come back and see all this work that they had done. So it just took a lot more time than it would on anything else.
I think a lot of people - by the time I came back with a script I liked, which took me many years, they'd forgotten who I was. Doors all the time are slamming, you meet friends that you've had for years, you'd go to the studio, and they'd say things to indicate clearly that they hadn't read it, or that they'd had their assistant sort of skim it. They wouldn't buy it. They wouldn't make it.
I had been at the director's workshop for women at the AFI, which at the time was a great thing to do. I had always meant to direct, and for a variety of reasons that are hard to explain, I never did. I produced many things - there'll be people who tell you I directed through them - and of course I wrote. It took a divorce, a move back to New York and a kind of "now I can do anything" to say, "I really want to do this."
I like Twitter, actually and I like Instagram and I like talking to people. Most weeks, I'll take a day, a morning or two out of my day and I'll sit and I'll just answer my tweets. You have to get back quickly. And I think that's important to let people know that you see them because they took the time to acknowledge me. And they took the time to if you want to be my fan and to follow me and appreciate what I do.
When I was 16 I took the first opportunity I had to play basketball in a different country. I flew to Europe for the first time and found myself in the small town of Macon, in France. That was the first time I lived far away from my people, from my culture. I was young and had to adapt quickly.
I took my job for Nickelodeon very seriously, and back then, it wasn't certainly as big of a network as it is now, culturally, and people my age didn't know much about it. But I loved my time there. I really put everything I had into doing 'Guts,' and it actually taught me a lot about how to work really hard.
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