A Quote by Joseph Sheridan Le Fanu

For some nights I slept profoundly; but still every morning I felt the same lassitude, and a languor weighed upon me all day. I felt myself a changed girl. A strange melancholy was stealing over me, a melancholy that I would not have interrupted. Dim thoughts of death began to open, and an idea that I was slowly sinking took gentle, and, somehow, not unwelcome possession of me. If it was sad, the tone of mind which this induced was also sweet. Whatever it might be, my soul acquiesced in it.
'American Graffiti' stayed in my mind, but I don't think to this day I've done a film that captured that same level of melancholy. It was so well done. Talking about it has given me the idea I might try harder to make that melancholy film!
Music is the highest art form.I still think that. I wish I was really talented in music because then I would be doing it. I felt that I could write a decent song, but it was a big struggle. It took a lot of time and effort for me, whereas a lot of my peers and other people seemed to have a much easier relationship to it. But I profoundly love music, and I still dream that I might one day try to write some new songs and record something - just for myself, to see what would happen.
Hence, all you vain delights, As short as are the nights Wherein you spend your folly! There's naught in this life sweet But only melancholy; O sweetest melancholy!
The first thing about a song is that it has to be real, be lived; it has to be emotional, and melancholic. I don't mean sad. Melancholy is sort of a comfort. Melancholy has a sort of beauty to it. This attracts me to every other form of art.
He had never felt anything like that before - yet somehow he knew that from now on he would always feel like that, always, and something caught at his throat as he realized what a strange sad adventure life might get to be, strange and sad and still much more beautiful and amazing than he could ever have imagined because it was so really, strangely sad.
Their leaving made me melancholy, though I also felt something like relief when they disappeared into the dark trees. I hadn't needed to get anything from my pack; I'd only wanted to be alone. Alone had always felt like an actual place to me, as if it weren't a state of being, but rather a room where I could retreat to be who I really was.
You might be raised as a boy in a very conservative environment and then somehow, at some point, there was a side of me that felt really powerful and sensual in a way that was more feminine. For me, it's not about living my life as a boy or a girl - but I'm also not trans - it's just that one day you wake up feeling masculine, and one day you wake up feeling feminine. The flickering in between those two states is what's most fertile for me.
I traced the marley floor with my pointe shoes, and imagine myself on the stage, not as a member of the corps, but as a principal dancer. It felt right. It felt like a promise. Some day, somehow, it was going to happen for me.
The gentle rain which waters my beans and keeps me in the house today is not drear and melancholy, but good for me too. Though it prevents my hoeing them, it is of far more worth than my hoeing. If it should continue so long as to cause the seeds to rot in the ground and destroy the potatoes in the low lands, it would still be good for the grass on the uplands, and, being good for the grass, would be good for me, too.
The idea that you might end up in a job that doesn't allow you to be who you are, over the course of a lifetime, is still one of the most chilling nightmares to me. It's a good metaphor for fears I have about losing my soul in some accidental, mundane way. So, to me, these jobs that my characters have are very loaded. They immediately suggest a complex character to me, a woman who is, say, a secretary, but also a vigilante on behalf of her own soul.
Once I hit 25, people started asking me about marriage and kids all the time. I remember hitting 35 and some would ask the same questions with a strange tone, as if my life was somehow over because I hadn't yet settled into their version of happiness.
Fang felt a cold jolt, then dismissed it. Max wasn’t dead. He would know, somehow. He would have felt it. The world still felt the same to him; therefore, Max was still in it.
How frequently has melancholy and even misanthropy taken possession of me, when the world has disgusted me, and friends have proven unkind. I have then considered myself as a particle broken off from the grand mass of mankind.
A Strange melancholy pervades me to which I hesitate to give the grave and beautiful name of sorrow. The idea of sorrow has always appealed to me but now I am almost ashamed of it's complete egoism. I have known boredom, regret, and occasionally remorse, but never sorrow. Today it envelops me like a silken web, enervating and soft, and sets me apart from everybody else.
As we have said, robust souls are sometimes almost, but not entirely, overthrown by strokes of misfortune....Despair has steps leading upward. From total depression we rise to despondency, from despondency to affliction, from affliction to melancholy. Melancholy is a twilight state in which suffering transmutes into a somber joy....Melancholy is the enjoyment of being sad.
After Titanic it would have been completely foolish for me to go and try and top that. I'm an English girl, I've always loved England, I've never felt the desire to leave it for any particular reason. And whilst I'm ambitious and care very much about what I do, I'm not competitive. I also don't want to act every day of my life. () So it was important to me after Titanic to just remind myself of why it was that I was acting in the first place, which is of course because I love it.
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