A Quote by Joseph Trapanese
I have to put myself back in the audience's shoes and figure out what they would know and not know. But, there are also times when I do know what's coming up and I maybe need to hint at it, though not in a big way. It's a little bit of both. It's an interesting tightrope to walk.
Related Quotes
People need to go back and figure out why it is that Slipknot plays the way it is. That way, maybe, you know, maybe every band doesn't start sounding the same anymore.
I was also very interested in music. I used to hang out in jazz joints, you know, the Five Spot and so forth when I was, you know, a senior, really, when I was a little bit older. And I thought, well, maybe I could, you know, work with music. I can't play at all.
There are times I wish I didn't have a job, even though I love my job: I get to work with interesting, eccentric colleagues and equally interesting and eccentric subject matter, both of which are rarities. But, naturally, I would treasure having more freedom someday: of time and of movement. Will I always have a full-time job? I don't know. But I do know that I need to spend at least part of my week in an office, with other people.
I was a basket case, you know? When I got mad, I threw clubs, you know? And if things weren't going well, I would walk off a course. I think I lost a little bit of respect, but hopefully I've gained that back.
I think the more you have a generalist perspective, I think sometimes the more you can kind of see through the forest and the trees. And when it gets a little bit cloudy, you know, have some sense of, "Well, maybe this might happen or maybe that might happen." So I really am a big believer in liberal arts education. I think it's better - particularly in these kind of uncertain times - to know a little bit about a lot of things as opposed to being expert in one thing.
I want to diversify a bit. I don't wanna throw myself into another big blockbuster or another big franchise anytime soon. So smaller films, just small little interesting parts, I think I'd even like to play around with some really good supporting roles and then develop into - I don't know just like feel my way into it a bit more. I don't know, I'd love to try some theater. That's my other thing. I'd love to do some Shakespeare.
I think there's an initial shedding of the skin of a character when you've played them for so long, almost like a snake losing its skin. But when a job is done, I kind of walk away from it because I know that I need to prep for whatever else I'm going onto - I need to get back to being myself, which... Who knows exactly who that is, with all the talking voices in my head. You know, back to being a bit of a blank slate again. It becomes a necessity as an actor - at least for the way that I act.
To be honest," I halfwhispered, "I don't feel as safe with him as I do with you." "I know." A ghost of a smile touched my lips. "How do you know?" "Think about what safety is, Ella." "Trust?" "Yes, partly. But also an absence of risk." He unstuck a strand of hair from my damp cheek and tucked it back. "Maybe you need to take a risk. Maybe you need to be with someone who rattles you a little.
Life's dirty. Life's unclean you know. It's birth, it's sex, it's the intestinal tract. One big squishy, unsanitary mess. It never gets any cleaner either. You know, dust to dust, worms crawl in, worms crawl out, right Even though we know that, we still walk the walk, we still live the life. We're like a bunch of little kids. Little kids, you know, we jump in this big old pond of mud and we're slapping it all over our face, rubbing our hair all down our backs and we're making these glorious, gooey, mud pies. That's us.
I felt that, as time went on, an audience gets to know you and in a weird way, you kind of feel like you get to know the audience a little bit. When I'm doing stand-up gigs now, I feel like I'm doing gigs in front of people I know. I think that's the result of doing late-night shows for so long.
You never know how a film will play, whether it will be successful or not, or whether it will touch the audience. I always said to myself that whatever happens, big audience or small, that I would not let the results have an impact on my way of working. But it would be a bit silly for me to change my methods when I have a big success. That means my methods work well.
I know what I think but I don't know how to put it into words. Maybe I could get a little bit drunk and dance it for you.
There's a little less pressure in doing a solo tour, in some ways a simpler setup. A little bit more relaxed. But then also there's also - doing the big tours is exciting, because you get to put on the big show and everything. But I don't know if I would prefer one over the other. I guess it's no secret that I just don't like touring in general, but it's sort of the reality of the business these days.
I have always been with men who were type A, alpha males. I must exist because I'm with him, I'd think. But what made them what they were also often meant they were lacking empathy genes. And now I know I don't need an alpha male; I need somebody who's interesting. I'm not pretending that I'm 100 percent healed, so I might not know if a man is right for me right away, but it wouldn't take me seven years to figure it out. Maybe a month or two.
[William Butler] Yeats has the phrase Hodos Chameliontos, chameleon-like, in that you don't know where the beginning or the middle or the end is, so it's an unrelieved hallucination, because you don't know where you're coming in and you don't know where you're going out. It ends, you're going into the hallucination, or maybe coming out of it, I don't know.
The only way to resonate at a level that persuades is to know who you are addressing. If it's true that the Audience is the hero, you need to spend time thinking about them. Really getting to know them to the point it feels like they are a friend. May times we picture our audience as a large clump of strangers. Instead, you need to picture them as individuals standing in line to have a personal conversation with you. It's easy to persuade a friend, you need to think about your audience until you know them as a friend.
Related Authors
Alexandre Desplat Quotes
French
Composer
Andrew Lloyd Webber Quotes
British
Composer
Anu Malik Quotes
Indian
Composer
Henry Mancini Quotes
American
Composer
Igor Stravinsky Quotes
Russian
Composer
John Cage Quotes
American
Composer
John Walter Bratton Quotes
American
Composer
Krzysztof Penderecki Quotes
Polish
Composer
Ludwig van Beethoven Quotes
German
Composer
Michael Giacchino Quotes
American
Composer
Pauline Oliveros Quotes
American
Composer
Ramin Djawadi Quotes
German
Composer
Richard Wagner Quotes
German
Composer
Ryuichi Sakamoto Quotes
Japanese
Composer
Stephen Hough Quotes
British
Composer
Stephen Sondheim Quotes
American
Composer