A Quote by Joseph Trapanese

When a musician is conveying that fresh feeling, that's what appeals to me, even more so than the style. — © Joseph Trapanese
When a musician is conveying that fresh feeling, that's what appeals to me, even more so than the style.
The style, which is something I take to heart, is getting on my nerves horribly. It frustrates and torments me. I have days when Iam sick about it and nights when it gives me a fever. The more I go at it the more I find myself incapable of conveying the Idea.
When I was living in Mexico, I started reassessing my drawing style, and plunged into a period of doing exercises and research to develop a new way to draw. The result was a style that implies more than it shows, and so, ironically, feels more "true" to the scene I want to draw than a style that is more specific. It seems to me that the reader's imagination is able to fill in the gaps more effectively than I ever could. Plus it's a lot faster and more fun to do.
The Daryls House thing has made me into a live musician even more than I ever was, and even in the way I record.
The 'Daryl's House' thing has made me into a live musician even more than I ever was, and even in the way I record.
When it comes to touch and feel as a musician, style is infinitely more important than chops.
Nothing appeals to intellectuals more than the feeling that they represent 'the people'. Nothing, as a rule, is further from the truth
We need improvement in the style of performance. There is no more advantage in a musician who plays and conducts than in one who is only a beater of rhythm.
I don't view myself as a musician anymore - I view myself as a human being that functions as a musician when I'm functioning as a musician, but that's not 24 hours a day. That's really opened me up to even more perspectives because now I look at music, not from the standpoint of being a musician, but from the standpoint of being a human being.
Style is the physiognomy of the mind. It is more infallible than that of the body. To imitate the style of another is said to be wearing a mask. However beautiful it may be, it is through its lifelessness insipid and intolerable, so that even the most ugly living face is more engaging.
A good feeling for me is when you train, and then you put on fresh clothes. New clothes after a training session - you have this rush of endorphins from exercise that everybody gets, and then you get that nice feeling of fresh clothes. It's a double whammy.
Over the years I attempted to make my style a bit more relaxed 'cause the initial style you couldn't watch for more than ten minutes without wanting to kill me.
I never modeled myself after anyone. The person who had most influence on me was my mother, but it was really for her strength and courage more than her style, even though she had a lot of style. In a weird way, looking at pictures of me when I was 17 or 18, I was dressing the same way. I haven't changed very much.
So it's more the musician in me that makes me stretch out and try different things more than anything. But, like a lot of guitar players, I have one certain niche that's my thing that I'm better at than the others
So it's more the musician in me that makes me stretch out and try different things more than anything. But, like a lot of guitar players, I have one certain niche that's my thing that I'm better at than the others.
Lagos style is fresh and different. Even with the tailors, they get very innovative with their stuff, with the cuts. When my parents used to make the traditional wares, it was a little bit baggy. But now the tailors are able to infuse the European style, making it slim-fit. Lagos style is different, man. Innovative.
Krishna consciousness was especially good for me because I didn't get the feeling that I'd have to shave my head, move into a temple, and do it full time. So it was a spiritual thing that just fit in with my life-style. I could still be a musician, but I just changed my consciousness, that's all.
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