A Quote by Joseph Trapanese
For me, when I watch something without music, I'm instantly thinking, "Okay, what am I going to do here? How am I going to convey this?" I take notes and really think about that.
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I'm a music fan, and I can listen to the radio, or music, without thinking, "How am I going to screw this up?" [Laughs] If I'm really actively trying to think of a parody, then I'll have my antenna out, and be a little more proactive about it.
People say people who spend too many years in prison don't know how to act when they get free. I don't know how I am going to act, how I am going to kill time, once I am not a fighter. Retirement scares me, and I have to think about how I am going to handle it.
I work via the high-tension-wire method, which is maybe going for long periods without writing while the tension builds up - when am I going to write this, am I going to be able to write this, what is this image about - and I'm thinking about it all the time, but I'm not really inside it, inside the writing.
Every day, think as you wake up, today I am fortunate to be alive, I have a precious human life, I am not going to waste it. I am going to use all my energies to develop myself, to expand my heart out to others; to achieve enlightenment for the benefit of all beings. I am going to have kind thoughts towards others, I am not going to get angry or think badly about others. I am going to benefit others as much as I can.
My approach to painting doesn't involve any heavy thinking about how am I going to present this, what am I going to do.
I think everyone is always asking themselves, How is my work meaningful, how is my life meaningful? As I get older, I feel like who I am as a person and a citizen is more important than who I am in my work. But I do think it reframed slightly for me, how much I have to care about a project in order to want to do it. Sometimes, obviously, you have a take a job for money. But I think I'm quicker now when I get a script that's, say, borderline misogynist, I'm not going to go in for it. I'm thinking more about what I'm putting into the world.
The question I asked when I woke up was not how am I going to live without legs - but how am I going to do all the things I want to do without legs? There was no doubt that I was going to do them, I was just curious to find out how - but I knew I was going to find a way.
When people asked me, 'What are you going to do?' I'd say, 'I'm going to be an actor,' without really thinking about it. And I started acting without really thinking about it. I only thought about it properly a bit later.
You can take it for granted that I am not going to waste any time thinking about giving up how happy I am at Borussia, in the city of Dortmund, and with this team.
When I go in to fight week, I go, 'Maybe I'm going to be that guy on the highlight reel that gets knocked out.' I'm always thinking, 'How am I going to react? Am I going to be a sore loser?' I'm almost checking myself in case something bad happens.
There were so many times that, as waitresses, you look at your bank account and you literally have 100 bucks, and you're thinking, 'How am I going to pay my utility bill, my rent?' but at the same time thinking, 'How am I going to accomplish my dreams?'
I am particular about the seating of the audience - also about how much money they pay - but most of all where they are seated. If I am going to sing something intimate, who am I going to sing it to?
I don't drive, so one of my assistants drives me to my writing room, and I have a calendar on the wall telling me how much time I have left, and how far behind I am. I look at it and panic, and decide which scene to work on. And you sit there plonking notes until something makes sense, and you don't think about it any more. Good tunes come when you're not thinking about it.
I don't like seeing myself on television and I don't enjoy filming. What I actually enjoy is thinking about how I am going to express something or how we are going to make the visual metaphor.
I think that live music is really pretentious - all of it. I hate festivals and live shows, because as soon as I get on stage, I start performing for people and it becomes about sex, banter, and skill. They're looking at me and not thinking about themselves. I'm thinking about how cool I look. It's just stupid - all live music is really stupid. I wouldn't encourage going to see anybody live, ever. Not even me.
I think there are actors who are like, 'Okay, what am I doing, how am I doing it, what's the appeal? Tell me what to do, what are the exact lines from the script? Okay, I got it.' I am not that way. I would be a terrible bus driver. I'd want to be like, 'Oh, let's take this side road! Let's see what happens when we go down this back alley.'
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