A Quote by Joseph Wood Krutch
True tragedy may be defined as a dramatic work in which the outward failure of the principal personage is compensated for by the dignity and greatness of his character.
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Real greatness has nothing to do with a man’s sphere. It does not lie in the magnitude of his outward agency, in the extent of the effects which he produces. The greatest men may do comparatively little.
One's appearance bespeaks dignity corresponding to the depth of his character. One's concentrated effort, serene attitude, taciturn air, courteous disposition, thoroughly polite bearing, gritted teeth with a piercing look - each of these reveals dignity. Such outward appearance, in short, comes from constant attentiveness and seriousness.
The character of greatness must be measured in two ways, else the measurement is flawed. First, and by far most popular of all, is by one's ability to succeed in times of trial where others may fail. But of no less importance, and perhaps foundational to any form of greatness, is one's willingness to start over in spite of failure, when success seems farthest away.
True greatness is the most ready to recognize and most willing to obey those simple outward laws which have been sanctioned by the experience of mankind.
True greatness is not measured by the headlines a person commands or the wealth he or she accumulates. The inner character of a person-the undergirding moral and spiritual values and commitments-is the true measure of lasting greatness.
A good character today is shaped by greatness, greatness in vision, greatness in courage, greatness in insight, greatness in purpose and devotion.
Normally street children are shown in terms of the tragedy of their lives - which is true - but there's also another dimension: their wisdom, dignity and enormous capacity for survival.
The real tragedy is that we're all human beings, and human beings have a sense of dignity. Any domination by one human over another leads to a loss of some part of his dignity. Is one's dignity that big it can be crumbled away like that?
Misfortune occurs or can occur to anyone, of any sort of character. The eudaimonic has more resources to avoid it (being in autonomous control of his appetites and assumptions) and more resources to deal with it if it occurs (being better able to put it in perspective and maintain his own evenness of self-mastery). Tragedy as a dramatic form is meant to foster the ethos of sophrosyne or moderation, "nothing to excess"; it nurtures a sense of distance from the dominant illusions and delusions that may infect even aristoi.
Sin may then be defined ultimately as anything in the creature which does not express, or which is contrary to, the holy character of the Creator
The tests of life are to make, not break us. Trouble may demolish a man's business but build up his character. The blow at the outward man may be the greatest blessing to the inner man.
The true key to the declension of the Roman empire which is not to be found in all Gibbon 's immense work may be stated in two words: the imperial character overlaying, and finally destroying, the national character. Rome under Trajan was an empire without a nation.
The way in which a man accepts his fate and all the suffering it entails, the way in which he takes up his cross, gives him ample opportunity — even under the most difficult circumstances — to add a deeper meaning to his life. It may remain brave, dignified and unselfish. Or in the bitter fight for self preservation he may forget his human dignity and become no more than an animal
The tragedy of "Hamlet" is critically considered to be the masterpiece of dramatic poetry; and the tragedy of "Hamlet" is also, according to the testimony of every sort of manager, the play of all others which can invariably be depended on to fill a theater.
The happiness for which our souls ache is one undisturbed by success or failure, one which will root deeply inside us and give inward relaxation, peace, and contentment, no matter what the surface problems may be. That kind of happiness stands in need on no outward stimulus.
True inward quietness is not that which may be produced by shutting out all outward causes of distraction -- a process which, when carried out too severely, may intensify the inward ferment of the mind, especially in the young. It is rather a state of stable equilibrium; it is not vacancy, but stability -- the steadfastness of a single purpose.
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