A Quote by Josephine Baker
One dance had made me the most famous colored woman in the world.
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In my world, a woman was the most powerful thing that I knew. Still is. A woman made the money in my house; a woman made my food. A woman beat my ass when I wasn't a good kid. Women were behind a lot of what spurred South Africa toward democracy.
I had never really wanted to be famous. Everyone is supposed to want to be rich and famous, but as a boy I never knew what rich was, and the first view I had of famous made me leery.
Most men in this world are colored. A belief in humanity means a belief in colored men. The future world will, in all reasonable probability, be what colored men make it.
I speak for the colored women of the South, because it is there that the millions of blacks in this country have watered the soil with blood and tears, and it is there too that the colored woman of America has made her characteristic history and there her destiny is evolving.
I became an actor, and because I had success as an actor, I became famous. I was acting for quite a while before I got famous; television made me famous. I guess that it's television that is responsible for everybody's desire to be famous.
What sort of world might it have been if Eve had refused the servants offer and had said to him instead, “let me not be like God. Let me be what I was made to be - let me be a woman'?
The philosopher Descartes believed he had found the most fundamental truth when he made his famous statement: "I think, therefore I am." He had, in fact, given expression to the most basic error: to equate thinking with Being and identity with thinking. The compulsive thinker, which means almost everyone, lives in a state of apparent separateness, in an insanely complex world of continuous problems and conflict, a world that reflects the ever-increasing fragmentation of the mind.
We dance with women in groups, but it is very rare that you have a partner that is a woman. The dance world is very macho - woman, boy, always couples, and it's very standardized.
Susan Boggs, a black runaway interviewed in Canada in 1863, said of the religious slave masters: 'Why the man that baptized me had a colored woman tied up in his yard to whip when he got home that very Sunday and her mother . . . was in church hearing him preach. He preached, You must obey your masters and be good servants.- That is the greater part of the sermon, when they preach to the colored folks. . . .'
Being classically trained gave me the real foundation for music. It's so important in my life. Why was I influenced by all these styles of music? Because it gave me a sense of freedom. It made me feel like I could put my hand in a colored bag and pull out a different colored candy and have fun with it.
'The Dance Scene' is basically the most amazing dance show in the world, and it follows me as a creative director. You see how I maintain that creativity.
I grew up with my grandfather [Elia Kazan] being famous in a way that's not like Beyoncé, but famous in a relative way. It made me feel weird about the way that we treat people that are famous, and it made me feel weird about fame in general.
Before 'Titanic,' yes, I had done some things and, yes, I had been nominated for an Academy Award, but I had never been sort of world-famous. And I suppose, yes, I am really famous now. But I feel embarrassed to say that because it's just a bit daft for me.
Jesus of Nazareth was the most famous human being who ever lived on this planet, and he had no infrastructure, and it's never been done. He had no government, no PR guy, no money, no structure. He had nothing, yet he became the most famous human being ever.
There are very few dance companies in the world and you have to be phenomenal. You have to not be injured. You have to have a really strong mind to deal with the dance world. People who can do it are amazing to me. You cannot have a life outside of dance.
She was the reason I was a reader, and being a reader was what had made me most myself; it had given me the gifts of curiosity and sympathy, an awareness of the world as an odd and vibrant contradictory place, and it had me unafraid of its oddness and vibrancy and contradictions.
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