A Quote by Josephine de La Baume

I think London, New York, Paris, Milan, any big city has its own fashion. I don't know why they make such a big thing of Paris. I think maybe it comes from French New Wave films portraying the French girl as very feminine.
People constantly make the mistake of comparing London with New York, Milan and Paris and that's not what it's about. London has its own fashion identity. You come here to find the next Alexander McQueen or John Galliano.
The best city for fashion is Tokyo. You see styles there you won't see in London, Paris, Milan or New York. I also like the fashion scene in Los Angeles - it has a unique look.
I went to Brown to be a French professor, and I didn't know what I was doing except that I loved French. When I got to Paris and I could speak French, I know how much it helped me to establish relationships with Karl Lagerfeld, with the late Yves St. Laurent. French, it just helps you if you're in fashion. The French people started style.
London has a very specific kind of style; it's very different to Milan, Paris, and New York. It's nice having that personality that we haven't lost. It's the English quirky style that people like to see when they come to Fashion Week.
My deep relations with fashion started in Paris in 1980s, when I was appointed head of The Fashion History course at French Esmod fashion school, the biggest and the best in those years in Paris.
Paris is not so square. I'm not good at the geography of the city in Paris, so I'm always lost. Here, in New York, you can never be lost. In Paris, even when I walk to my gallery or whatever, I always take another route, because Paris is not built that way.
Think of Florence, Paris, London, New York. Nobody visiting them for the first time is a stranger because he's already visited them in paintings, novels, history books and films. But if a city hasn't been used by an artist, not even the inhabitants live there imaginatively.
Ironically, even the fashion in New York or Paris or Milan or whatever, or music in Berlin, or art in, I don't know, Madrid - all these scenes come and go. Everything leads back to Hollywood.
The vibe, it's that excitement. New York, you just can't describe it. You get a similar thing from Paris and London, but it's not New York.
I've lived in London, Paris, Rio de Janeiro, New York, and Turin. But New York is my favorite city. It has so much energy, so much toughness.
The joining of the Japanese with the French should make a new movement. I think it should be good for Paris.
I cut the ribbon in Paris, and everyone in Paris speaks French โ€” maybe you knew that. But I'm from Tennessee, and Tennessee girls don't speak French. So suddenly I'm stuck onstage with Minnie and Mickey and everyone is yelling at me in French โ€” I guess they're telling me to get off the stage, but I didn't know what they were saying at the time, so I start dancing with Minnie and Mickey like on the show and finally my aunt comes and gets me off.
One of the big luxuries of being in Antwerp is that I can easily walk in the city. In Paris and New York, I am more recognized.
Paris is the playwright's delight. New York is the home of directors. London, however, is the actor's city, the only one in the world. In London, actors are given their head.
Although I was born in Idaho and now live in New York, I definitely identify with the European aesthetic. Paris is my mecca; it's where I discovered my flair for fashion. But I pay rent and work in New York, so that is my home - I love the culture clash of the city.
When I was in college at the University of Pennsylvania, where I studied international relations and French, I studied abroad in Paris for a semester. I think when you're there, you can't help but be immersed in fashion because it's such a part of the city.
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