A Quote by Josephine Decker

Truthfully, my films don't get funded, they get adopted - and are made thanks to the generosity of others. — © Josephine Decker
Truthfully, my films don't get funded, they get adopted - and are made thanks to the generosity of others.
There are so few roles out there. And even if it is a film that could be led by a black actress, how many times is that film going to get funded? Let's just be real. But it's not just black people. It's Asians, it's Hispanic people if you're not Salma Hayek. It's hard. It's hard to get films funded.
We try to make films for people [that are] the films that we'd like to see. They're not easy to get made. They're hard to get made. You have to keep the budget low to get them made. But at the end of the day, I don't really worry about competition, because I don't really think of it that way. I don't feel like I'm in a race with anybody.
It's difficult to make the interesting feature films that don't fit easily into a genre, even on modest budgets. It's tough to get those films made, but I'd rather try to get those films made than compromise too much.
I made a deal with myself that no matter where I go, if I see a street performer, I'd tip them. It's sweet to know that you can get started from the generosity of others.
Ask anyone, and they'll tell you that most of the good horror films made in the U.S. are indie films. You might get 'The Ring' or 'The Others,' but most are independently produced.
I am often asked at what point in my love affair with films I began to want to be a director or a critic. Truthfully, I don't know. All I know is that I wanted to get closer and closer to films.
I'm drawn to a lot of first-time directors. One of the great common denominators in these small independent films is that there's a person, or two people, who have an absolutely monomaniacal passion to get these films made. That's what makes them happen. Sometimes, it takes years and years to finally get it done, but by never backing down, by never giving up, they get these films to the screen by hook or by crook.
General personal principle: You are generally successful to the degree others want you to succeed. So get adopted! And, even more importantly, it's amazing how much you can get done when you let other people take credit for it.
It's tough to get any film made, even if you're Martin Scorsese. It's just hard to get films made.
Generosity is not limited to the giving of material things. We can be generous with our kindness and receptivity. Generosity can mean the simple giving of a smile or extending ourselves to really listen to a friend. Paradoxically, even being willing to receive the generosity of others can be a form of generosity.
My base understands the Mexican wall is going to get built, whether I have it funded here or if I get it funded later, that wall's getting built, OK? One hundred percent. One hundred percent it's getting built. And it's also getting built for much less money - I hope you get this - than some people are estimating.
Good ideas will always get funded, so that's not going to be a problem. But you will see that it will be harder and harder for bad ideas to get funded.
As an artist, I am here to get involved in meaningful films. But that does not mean only films like 'Arabikkadha' should be made. If you give an overdose of such films, the subject will become jaded.
Films have been my only passion in life. I have always been proud of making films and will continue taking pride in all my films. I have never made a movie I have not believed in. However, though I love all my films, one tends to get attached to films that do well. But I do not have any regrets about making films that did not really do well at the box office.
Many times, one does get interesting work, but it is also work that doesn't get funded because one sure-shot way to get funding is to take a big star.
At some point in time, in the future, people are going to refer to the Step Up films as the films they grew up on. Hopefully, that inspires them to get in dance films that are being made.
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