A Quote by Josephine Hart

There is an internal landscape, a geography of the soul; we search for its outlines in our lives. Those who are lucky enough to find it, ease like water over a stone, onto its fluid contours, and are home.
There is an eternal landscape, a geography of the soul; we search for its outlines all our lives.
There is an eternal landscape, a geography of the soul; we search for its outline all our lives.
A soul of water a soul of stone. A soul by name a soul unknown. The hours unmake our flesh our bone. The Soul is all and all alone!
You have to love what you do. And in order to do that, you have to search your soul to find out what it is that you really are about. And then when you find it, if you're lucky enough to be in a position to do what it is that you love, it becomes easy. I'm blessed that I ended up doing exactly what I wanted to do.
Though we travel the world over to find the beautiful, we must carry it with us, or we find it not. The best of beauty is a finer charm than skill in surfaces, in outlines, or rules of art can ever teach, namely, a radiation from the work of art of human character, — a wonderful expression through stone, or canvas, or musical sound, of the deepest and simplest attributes of our nature, and therefore most intelligible at last to those souls which have these attributes.
If you're lucky enough to fall in love, that's one thing. Otherwise all that was ever truly beautiful to me was boyhood. It's the meal we sup on for the rest of our lives. Love puts the icing on life. But if you don't find it...you must call on your childhood memories over and over till you do.
When my grandmother was alive, she used to tell me that every time God creates a soul in heaven, he creates another to become its special mate. And that once we're born, we begin our search for our soul mate, the one person who's the perfect fit for our mind and body. They lucky oens find each other.
What do you think my chances might be of finding a soul mate in the group of you? I'll be lucky if I can just find someone who'll be able to stand me for the rest of our lives. What if I've already sent her home because I was relying on some sort of spark I didn't feel? What if she's waiting to leave me at the first sign of adversity? What if I don't find anyone at all? What do I do then, America?
Our retinas and brains have been wired by a hundred million years of evolution to find outlines in a visually complex landscape. This helps us to recognize prey and predators.
I think sexuality, especially, is one of those fluid things where oftentimes we find who we are through certain things that happen in our lives.
We all build internal sea walls to keep at bay the sadnesses of life and the often overwhelming forces within our minds. In whatever way we do this—through love, work, family, faith, friends, denial, alcohol, drugs, or medication—we build these walls, stone by stone, over a lifetime. One of the most difficult problems is to construct these barriers of such a height and strength that one has a true harbor, a sanctuary away from crippling turmoil and pain, but yet low enough, and permeable enough, to let in fresh seawater that will fend off the inevitable inclination toward brackishness.
Those of us with water in our personalities don't pick where we'll flow to. All we can do is flow where the landscape of our lives carries us
I work sometimes from outlines, which are immediately abandoned. Sometimes, when I'm trying to find the characters, I'll sketch things out a bit. Sometimes, outlines help me aim a little bit, but I tend to find it's usually much more interesting, especially with the first draft, to spew it onto the page. I used to get very nervous that, if I write this first rough draft and I die that night, whoever finds it might think that I thought it was good. For me, it's much more important to get some general shape onto the page and later take all the time I need to refine it, fix it, and rewrite it.
Time is a topological manifold. It is a surface. Events flow across it like water over land and like water flowing over land, when the land is flat, the water becomes reflective and moves slowly. When the landscape becomes disrupted, the water moves faster and chaotic attractors appear and new kinds of activity emerge and out of that new activity, there comes the new states that define the future.
The soul, light as a feather, fluid as water, innocent as a child, responds to every movement of grace like a floating balloon.
Since man, fragment of the universe, is governed by the same laws that preside over the heavens, it is by no means absurd to search there above for the themes of our lives, for those frigid sympathies that participate in our achievements as well as our blunderings.
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