A Quote by Josephine Hart

There is an eternal landscape, a geography of the soul; we search for its outline all our lives. — © Josephine Hart
There is an eternal landscape, a geography of the soul; we search for its outline all our lives.
There is an eternal landscape, a geography of the soul; we search for its outlines all our lives.
There is an internal landscape, a geography of the soul; we search for its outlines in our lives. Those who are lucky enough to find it, ease like water over a stone, onto its fluid contours, and are home.
Art is eternal for it reveals the inner landscape which is the soul of man.
I gradually became aware that my interiority was inseparable from my exteriority, that the geography of my city was the geography of my soul.
John Hall, my geography teacher at school inspired me to a lifelong interest in geography and a curiosity about our world which has stayed with me through my life. Geography is a living, breathing subject, constantly adapting itself to change. It is dynamic and relevant. For me geography is a great adventure with a purpose.
Landscape architecture is basically geodesign; it's designing geography. And yet geodesign is not only done by landscape architects, it's done by some of the world's largest corporations.
Think of a single word. We'll use soul as our example. How do you define soul? Is it the same definition I use? Can it ever be it? My soul is not your soul. Our souls, our definitions, are shaped by the singular and cumulative experiences in our lives, the emotional weight we attach to a concept forever locked in the space behind our own eyes.
In fact Plotinus thought not only that soul in general is eternal so that you always have soul, but he thought that each person's soul is eternal.
So much of our lives depends on accidents of birth, time, and geography. This haunts me. In some lives, few "or"s are possible. The pain of that is behind the second stanza of this poem.
Mortal City was really influenced by geography. [The song] "The Ocean" is the Pacific Northwest. Southern California and New York also figure into songs, and Iowa. "February" is very much about New England. "Mortal City" is Philadelphia. The whole album is this anthropomorphized landscape where the metaphors live in this geography.
I outline and outline and outline, and then I'm very specific about the stuff I write. That's my process.
I have long been interested in landscape history, and when younger and more robust I used to do much tramping of the English landscape in search of ancient field systems, drove roads, indications of prehistoric settlement.
The fake Zionist [regime] will disappear from the landscape of geography.
In our own beginnings, we are formed out of the body's interior landscape. For a short while, our mothers' bodies are the boundaries and personal geography which are all that we know of the world...Once we no longer live beneath our mother's heart, it is the earth with which we form the same dependent relationship, relying...on its cycles and elements, helpless without its protective embrace.
The spirit for me is the eternal self. And when one incarnates, an aspect comes with that incarnation, that's called the soul. And together the mind, the emotional body, and the soul form the energy field that lives within this thing called the human body.
Our stories are all stories of searching. We search for a good self to be and for good work to do. We search to become human in a world that tempts us always to be less than human or looks to us to be more. We search to love and to be loved. And in a world where it is often hard to believe in much of anything, we search to believe in something holy and beautiful and life-transcending that will give meaning and purpose to the lives we live.
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