A Quote by Josephine Hart

Damaged people are dangerous. They know they can survive. — © Josephine Hart
Damaged people are dangerous. They know they can survive.
That is my story, simply told. Please do not ask again. I have told you in order to issue a warning. I have been damaged. Damaged people are dangerous. They know they can survive.
All damaged people are dangerous. Survival makes them so.' 'Why?' 'Because they have no pity. They know what others can survive, as they did.
I have been in the most dangerous of places just in order to survive. An intelligent man would stay in a safe place to survive.
When you go into a 'WWE' ring, you know you're going to compete. You know that things are going to hurt. It is a dangerous, dangerous place. No matter what people think or say, it's a very, very dangerous thing.
We are descended from people who paid attention to dangerous things in the environment. People who didn't pay attention to dangerous things in the environment didn't get to survive and to breed.
Yeah, I do all the stuff I can. Let’s be frank, if you are in an action film, you are not in it for the characters, you are in it for the action – the stunts. If they take that away from you, it’s a sad story. Ha ha! I have damaged everything: knees, elbows, ribs. But I’m an old gymnast. I know how to survive.
Damaged people gravitate towards damaged people.
The best actors just stay in the moment,and whatever happens in the scene is a genuine surprise. You really do not know what's going to happen next. But living that out in life is very dangerous because it throws you into a place where you don't know if you're going to survive.
My characters are always unlucky in love. It's annoying, but perhaps there is something in me that is suited to characters that have a darkness. Maybe it's why I play such damaged people when I'm not particularly damaged myself, I would say.
I've always been more interested in what happens after the bad thing has happened - the fallout of the bad thing, when people are already damaged. I'm less interested in seeing people when they're fine and following their journey to becoming damaged.
I wanted to take a damaged individual in a damaged society with damaged relationships between nations and take a look at how this individual survives amongst them, and that for me as a writer is the connection that you needed to get inside the skin of the main character and wonder how he's going to cope with all this.
The oligarchs think that the people are both dangerous and stupid. Their point is moot. But we do know that the oligarchs are a good deal more dangerous to the polity than the people at large.
I didn't die young. So I am very lucky. There are other artists and people that didn't survive certain things... people can imagine that I did the most dangerous, and I did the worst... for many reasons, I shouldn't be here.
If you look at the way society is structured , it is structured to keep people overwhelmingly in a state of fear and always trying to survive, in terms of physically, in terms of terror, in terms of financially, the credit crunch, rising food prices; all this is survive, survive, survive.
I have a real pet peeve for women who play damaged characters but don't look damaged.
To listen is to be vulnerable. You allow something outside your body to come inside. To be open and impressionable, to hear everything, is dangerous. You can be damaged all too easily.
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