A Quote by Josephine Langford
There are certain roles that you really want to get, but you need to learn to deal with the rejection.
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You learn a great deal that you can feed into your craft which gives you the experience that you actually need later on, when you start to get the really great roles. You've played that part to a certain degree in that picture, and you played that one in that, and so on. You add it all up, and you have that experience.
There are no real successes without rejection. The more rejection you get, the better you are, the more you've learned, the closer you are to your outcome... If you can handle rejection, you'll learn to get everything you want.
My career has been very good to me, but really, the odds are really slim. It's a tough life, and you deal with a lot of rejection and unemployment, and if you're lucky to have a career, it's not easy. So you just want to protect your kids from the pain of rejection.
To be an actor you need various things. You need to have a head for choosing the roles. You have to be, hopefully, easy to work with so people enjoy working with you. You have to deal with missing roles, with not being asked to work, with doing good work and then being castigated by the critics for it. You have to have a skin that can deal with all of that. I, fortunately, seem to have the makeup which allows me to deal with the business. I mean, not as everybody.
I learned certain exercises to help me cope, to get myself in tip-top mental shape to deal with auditions and rejection.
You have to learn to deal with your own, for want of a better word, insecurities, fears. They don't go away. And that's normal. It's human. You don't ever really want to lose that. What you want to do is learn to manage it and to work with yourself. But there's a part of you that has anticipation and fear. And so the important thing to know is that there's nothing wrong with that and that that's normal. You have to learn how to deal with it, certainly, but it doesn't keep you from doing it. And that doesn't go away ever.
I'm really interested in older women, to be honest, because they have lived a life that I've not yet lived. So I really want to learn from them, and I think culturally we tend to dispose of women once they get to a certain age and they don't look a certain way.
The roles that push you out of your comfort zones are the ones in which you learn a great deal and really empower yourself.
You have people come into your life shockingly and surprisingly. You have losses that you never thought you'd experience. You have rejection and you have learn how to deal with that and how to get up the next day and go on with it.
I tried to learn the Finnish language, which is really, really, really hard, and I realized that if I want to really learn it, I need to move to Finland.
What I really want to do is create great roles for women. And I'm not talking Nicholas Sparks romance. I think women's roles have gotten ghettoized in these sort of places... I'm thinking women in action, comic books, or like the Tony Soprano of women. We need some complex roles.
You feel like you need to deal with a lot if you're from Cleveland, so you learn to let things roll off your back, and you learn that humor is the best way to deal with it.
To a certain extent everybody has a certain sort of way of being a persona that they learn how to be when they're really little. They figure out that if they're really funny, or really pretty, or if they work really, really hard or are really smart, then that's what's going to get them by. That is what is going to make people like them.
In other ways, you constantly have to change people's opinion of you as one thing, especially if you want to play different roles. You have to shatter that image sometimes. I've had to do it before with stage roles, to get roles. I'm drawn to kind of darker, misfit things. I would like to, especially in film, play against type and do some heavier stuff. I'm intrigued by projects that deal with problematic people and things.
You must learn how to handle rejection. To succeed, you must learn how to cope with a little word 'no', learn how to strip that rejection of all its power. The best salesmen are those who are rejected most. They are the ones who can take any 'no' and use it as a prod to go onto the next 'yes'.
You really get caught up in this system of the world - the Instagram world, society - we really get caught up in what our friends want and what our jobs want. I think the priority in life is to feel secure and safe and solid, truly. Just feeling good, just being okay with sitting alone. I think that's a big thing people need to realize and get used to that it's okay to be alone. It's good to be alone, and you need to be able to sit by yourself and just be peaceful and silent, and learn to read a book again; learn to just be. It's hard to be when you are so used to static input.
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