It's a bit of a dilemma, being an actor. I know that. But otherwise, I'm a relatively private person. I feel like when you get into this industry, it's so important to have your boundaries.
As an actor, you've got to maintain a bit of mystery and at least part of your private life, otherwise the game is up.
It's important that the actor doesn't feel like they're working in a vacuum. If the actor is told, 'Oh, it's a secret; just play it this way or that way,' it's a bit patronising. I think you have to bring the actor into your thinking and explain things.
I'm definitely an actor first, but it's fun to kind of, you know, push your boundaries and see if you can do things that have scared you a little bit your whole life.
I think it's important to keep things private, and there are certain boundaries I feel very particular about drawing. It may seem fastidious, but my experience of talking to the press is that I need those boundaries to remain very clear.
I always get a little bit pissed off when stand-up comedy is not recognised as being as good a craft as being an actor. We give Oscars to people and it's like, 'Aw, this person is the greatest person on earth', but being an actor is pretty easy in comparison to stand-up comedy. It's no surprise that several stand-up comics have gone on to become great actors. I don't know any great actors that have gone on to become great stand-up comics.
I think it's important to keep your personal life to yourself as much as you can. It protects your sanity and you need to have boundaries. And it helps that enchantment of watching an actor. If you know someone's favourite colour or what they like to do on a Sunday, you won't fall for the character as much.
I think being sexy and comfortable in your body is a wonderful thing, and I don't mind being acknowledged for it or appreciated for it. I know what I'm capable of. I know that I'm a relatively smart girl - I'm clever - and I feel like the sexy image only stands to make me a more powerful human being.
I don't know. You know, when I'm not acting, I'm not an actor. I'm just a person. That's how I go through life. I'd rather not - you know, like a lot of actors, you know, they spend their whole 24 hours a day being an actor.
I am a private person; I think that's important if you're an actor. But there's a difference between privacy and secrecy, and I'm not a secretive person.
When you get to the end of a TV series, you feel totally out of sorts as an actor. You feel unfit; your voice box has collapsed on you because you've spent all day muttering into a microphone that's two inches from your head, and you feel desperate to spread your wings and do a bit of real thesping.
Being able to score touchdowns and win games is a way to get a platform. But, ultimately, if that's what you do in your life, and that's what your life is based on, I don't know - I feel like that's a little bit of a meaningless life.
It's a real wrenching thing to go from being a private person to being a public person, especially when you're being autobiographical. But it's what everyone wants - to get everyone's attention, to have your music make a living for you, to be validated in that way.
Every actor has a different temperament. Part of my job is to know what those boundaries are. The actor has to know you'll be there at the other end, that you're trying to represent them in the best light, who they are as they're harnessing these roles. The methods vary from actor to actor.
I'm a very private person. Very private. You know, I've lived my entire life in a fishbowl, so it was important for me to keep my personal life private because people can't talk about what they don't know.
You know, in this industry, being an openly queer actor or entertainer, you can play the game your way, or you can play it the industry's way. And I decided to play it my way. I played it the industry's way far too long.
I feel like in a lot of ways I've gotten kind of soft as an actor, not doing stage stuff. In terms of being a better actor, it's really important.