A Quote by Josh Allen

I don't think I have accuracy problems. I do think when my feet aren't set, I deliver a different type of ball. — © Josh Allen
I don't think I have accuracy problems. I do think when my feet aren't set, I deliver a different type of ball.
The key to my accuracy is making sure my feet are set right and trying to have a more polished throwing motion, a more polished stroke, you can say. When my feet are right, my hips are allowed to open a little better, which is kind of where your accuracy comes from.
In Brazil, there is a different type of football, but I think I am seen as an elegant type of ball player, who is creating for other people.
I think it would be self-indulgent to go, "Oh, I'm going to make this character different by giving him a quirk of some kind." I don't think that serves the story, particularly. But even very similar scenes with a different set of actors, a different set of circumstances, it starts to evolve as a different character.
The first thing I think of when I hear the name of Lucille Ball is a Hollywood legend. I have fond memories of growing up at her house, but she was a different person off the set than she was on the set.
We have never, ever, in the history of football seen a guy that possesses what Aaron Rodgers possesses. Nobody, no quarterback in history, has the touch, the accuracy, the ability to throw the ball moving left or right, throw the ball from the pocket, throw the ball from different plains.
Every era of coaches has their own set of problems and challenges. Today's player is different, but some things about them are better than they were in the past. I don't think coaching today's players is any tougher. I think we're a little too hard on the current day player because he's different.
Everybody has their own problems. No matter how big you think yours are, there is someone else that has bigger problems or different problems.
The problems that you see startups tackling are dramatically different in different cities. Silicon Valley is unlikely to produce the same set of companies as New York or Cleveland because the region has a different set of strengths and defining institutions.
I think that's what separates the NFL because they're so many different cultures in here that you get to learn from, that you get to experience that people from the outside don't get to experience. We don't live in a box. We understand that there's different type of views, different type of actions, and we have an open mind to listen to them.
I think that gave rise to the type of practice that I - that I do now. I think it was informed by a very Marxist almost "use-value"-driven investigation of painting as agent. These are high-priced luxury goods for wealthy consumers, which are designed to deliver certain communicative effects.
I think that, for so long, there was only one type of actor, and now you see these different colors, different people, different shapes and different sizes. It just makes it more interesting.
Well the way we perceive accuracy and what accuracy is statistically are really two different things.
I always sidefooted the ball as I wanted to keep the accuracy on it but I was quite fortunate that I could sidefoot a ball powerfully.
I'm a coach who likes to have the ball, but what I really think is, 'How can you be in charge of the game?' I think, but maybe I am the only one, that the defensive process can take care of the game. Why is that? Because teams wait to defend. If you create something where you go to defend, to steal the ball where you want, it's different.
I think fiction can help us find everything. You know, I think that in fiction you can say things and in a way be truer than you can be in real life and truer than you can be in non-fiction. There's an accuracy to fiction that people don't really talk about - an emotional accuracy.
I think with a lot of filmmakers, their first film is their best film because they had to think on their feet and solve problems with ingenuity.
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