A Quote by Josh Allen

I'm making throws where I don't have to second guess, putting the ball where it needs to be, and when I'm making each throw, there's no grabbing or pulling in there, and it feels comfortable and fluid.
It feels like there are two very different parts to making movies. There's the making of it and then there's the putting out of it - and I like the making of the movies a lot more than putting it out into the world.
Having the ball in my hand all the time and making plays, it was bound to come to a point where I knew where to get the ball to, who and when to give the ball to somebody. Just making the right decisions when I have it.
Actors are always grabbing each other on stage, looking in each other's eyes, making a moment so private, the audience doesn't know what they're doing.
I'm one of those players that I think I can do what's asked of me. Whether it's putting the ball in the basket, rebounding the ball, diving on the floor, making other people better, I'm willing to do anything just to win.
As I recall, I was still dressed when I fell asleep." "Just making sure you were comfortable." "And making yourself equally comfortable, I see.
There are lots of different parts of movie-making that I participate in, but my favorite part is the making of it. I'm scared, every day. I keep thinking someone's going to throw me the ball and I'm going to go, "Oh, wow. Oh, god. I just messed that up."
I can't throw myself the ball. All I can control is running my routes and making my catches.
What I say about actors is you always want to find an actor you can play ball with. You throw the ball at them and you want them to throw it back. Your ball playing is a lot better when you play with good ballplayers, like any sport. Every actor I know feels the same way.
As a big man you may struggle to get much height when jumping for a ball - but by training with your defender team-mates you can develop a technique for making strong challenges in the air, making defenders uncomfortable and work on taking the ball down.
If you give Brett Favre time to throw the ball and single coverage, you're making the offense that much better.
Nobody really needs a painting. It's something you kind of create value for in a way that you don't with a company. It's an act of collective faith what an object is worth. Maintaining that value system is part of what a dealer does, not just making a transaction but making sure that important art feels important.
If you go out and practice super hard and then you go play in the game, it's going to be a lot more natural for you. You'll be able to catch the ball and think fast and start making plays, making people miss and turning it into the next phase of the play rather than just catching the ball and being surprised and happy that you caught the ball.
We have begun to slam doors, and to throw things. I throw my purse, an ashtray, a package of chocolate chips, which breaks on impact. We are picking up chocolate chips for days. Jon throws a glass of milk, the milk, not the glass: he knows his own strength, as I do not. He throws a box of Cheerios, unopened. The things I throw miss, although they are worse things. The things he throws hit, but are harmless. I begin to see how the line is crossed, between histrionics and murder.
You can deal with a little pain. It's just about making sure you can throw the ball good enough to go out there and help your team.
We have never, ever, in the history of football seen a guy that possesses what Aaron Rodgers possesses. Nobody, no quarterback in history, has the touch, the accuracy, the ability to throw the ball moving left or right, throw the ball from the pocket, throw the ball from different plains.
A star player, even when he's not shooting the ball in crunch time, he's making the decisions and making the plays.
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