A Quote by Josh Barnett
What your strengths are are always going to be the things that you're going to go back to, especially in the that spot where you need to draw from deep within. You're tired. You're exhausted. The ability to really think things through is highly reduced from being in the midst of battle.
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I had three sessions of chemotherapy so it was really tough, it was hard to go through it. But while I was going through my treatment, I was always motivated that I was going to come back and play for India. I think that's what kept me going and got me through.
Oh, I am heartily tired of hearing about what Lee is going to do. Some of you always seem to think he is suddenly going to turn a double somersault, and land in our rear and on both of our flanks at the same time. Go back to your command, and try to think what are we going to do ourselves, instead of what Lee is going to do.
I think when you're really passionate about something, and maybe not every person is like this, but I think there's a large group that feels deep inside, I want something different, I want something more, I want to go on my own path. It's being comfortable being uncomfortable. Because to do that, you're going to have to jump outside of the comfort zone and it isn't going to be perfect. It's going to be scary. And to me, that's when great things happen.
You're not always going to hit the bull's-eye. I'm going to make movies that work and I'm going to make movies that don't work, and that's just a part of being creative. Because really, I think if you're taking risks and you're pushing yourself and you're doing things that scare you, you are going to fall on your face, and it's not always going to work.
I chose to be in this job and things don't always go your way. But I'll keep going. As a manager you have to be optimistic and think things are going to get better.
As a director, you have a thousand things going on in your head, and of course, that's going to be difficult. That's going to mean that some things get overlooked. And so, for us as performers, being the selfish pricks that we are, we're sitting there being concerned about ourselves all the time and our character's through-line.
I think what we have going in the Casino Battle Royale is going to show people an exciting, different take on the traditional battle royal format, different than what anybody has done. It's not going to be two hours of battle royals. It's going to be really, really action-packed.
I hope in my books I help children to see their strengths, and show them I have some idea of what they may occasionally be going through. Especially at tricky moments when it is easier to go back and evade things rather than go forwards and confront them.
I've never thought it was a good idea to act back-to-back. If you are going to have any chance of replicating life, you need to live it. I also never forgot something Johnny Depp said to me, which Marlon Brando said to him, 'You only have so many faces in your pocket.' I really admire artists who take the time to recharge their batteries and not continually call on it. I think you can spot tired and jaded artists quite quickly.
I am sure there's going to be times when I do things wrong that no one's going to like and everyone's going to think I'm terrible and rubbish but I know I'm going to go through those times, and it's just about understanding that that's going to happen.
I think that one of the things is that, if you are going to decide to be a painter, you have got to decide that you are not going to be afraid of making a fool of yourself. I think another thing is to be able to find subjects which really absorb you to try and do. I feel that without a subject you automatically go back into decoration because you haven't got the subject which is always eating into you to bring it back - and the greatest art always returns you to the vulnerability of the human situation.
When you have big historic changes, there are going to be ups and downs... There are going to be peaks and valleys. Some things are going to go right. Some things are going to go wrong. But as long as the strategic direction is going in the right way, that's really what you have to judge.
As an actor the best thing you have is your imagination. You're not going to have all the experiences, but you draw on the things that you know. So I think you definitely use the things that you're familiar with to your advantage.
First and fore-most, you must have confidence. Your second mental problem is concentration. Think the shot through in advance before you address the ball. Draw a mental image of where you want it to go and then eliminate everything else from your mind, except how you are going to get the ball into that preferred spot.
People are going to write and say things you don't like. They're going to take things out of context. What are you going to do? You can't let it destroy your life. That's their problem. They're going to go on and not be respected for what they do. Just worry about what you do. You have to make up your mind. You also have to be prepared for fallout. You have to accept the industry you're in.
I think there's a lot of people going through different things where you feel like your whole world's imploded, and you feel like you lost it all, whether it's physical, emotional, whatever you're going through. If I can be that beacon of hope for people that need it the most through dancing and through our storytelling, then I've done my job.
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