A Quote by Josh Barnett

I know there's this idea going around that I bury The Young Bucks on commentary but that's never been the case. If anything, I've only treated them harshly as heels. That's it. When they started turning around from being a heel to a face, it's a whole different story. That's simply a matter of how I see commentary as opposed to beef.
There are always going to be critics... and I have always had a rule: no matter how good the commentary is, or how bad the commentary is, it's more important that you do what you think is right.
I've done commentary before for Pancrase, they had a show called 'Pancrase: Legends of MMA' that aired on Imagination Television. I've done live commentary for PRIDE, I've been around the block a bit.
Code is followed by commentary, and commentary by revision, and thus the task is never done.
Most Christians who've been around for a while have their Story in bits and pieces, but have never seen how powerful it really is when assembled as a whole. I want them to see how well it fits together and how it offers tremendous explanatory power regarding the world as we actually find it. I want them to see how it resolves the problem of evil, and why God's solution - the God/man Jesus - is the only solution.
Literally every time I'm on camera, as well as there being commentary on what I've said, there'll be commentary on what my hair looked like, what I wear. Often it's written in the most hideous and quite cruel way.
Around 2001, I went to rehab in Arizona, and I started to see what was going on and how the past affected me. I started to get a grip on it. But over the next decade, I reverted to the behaviour I used to protect myself when I was young - being mindless, being defeatist and full of bravado.
I never think that anything I'm writing is bluntly political in any way. I'm not going for commentary.
At the end [when I speak about] magma under us everywhere, how it's monumentally indifferent to scurrying roaches, recoiled reptiles, and vapid humans alike. You see, you would never hear anything like that in a National Geographic or a PBS movie. This is clearly a transgression when it comes to being politically correct with your commentary.
"The Moderately Talented..." is just a commentary on the conflict that happens when a young artist girl looks up to you, but you're attracted to them in a different way than they are to you.
I don't profess to be a political rapper, like groups such as 'Dead Prez' or 'Public Enemy', but I think social commentary should make its way into your music. Speaking on your neighbourhood is social commentary - what happens, what's going on.
With the advent of this kind of TMZ culture, it sadly seems to have infiltrated the vanguard of film commentary. I see these reviews sometimes where I think, well, you have a right to say whatever you want about my work, and I will listen whether it's good or bad and see if there's something that I might work with, but personal issues don't have a place in film commentary.
For me, it's to be able to see that every life matters. Every life matters - no matter where, no matter how big, no matter how small. I've been able to see that in so many of the trips that we've taken around the world. That's been something that's been so eye-opening to me. I share that concept with everyone I come in contact with, so that we can unite around people. We can unite around one nation under God here, and we can unite that everybody matters. I think in this day and age right now, it's important. People need to be able to see something bigger than themselves.
I've been around young, talented, non-coachable players. I've been around veteran, talented, non-coachable players. No matter what you do, sooner or later - even if a coach comes in that's able to connect with them - if that's who they are, they're going to go back to it.
I have no idea how I do anything. I never have. You know I just started playing guitar and started singing and started working on this act that I would call "Don McLean" when I was probably in high school. And I have been doing this for 40 years, adding songs and writing things, cobbling together albums, doing live things, you know, albums and tours. And then I have records on the charts. I have no idea how this happened.
Our whole life is a fooling around. You can do it because you are not aware of how you waste time, how you waste energy - how life is wasted you are not aware. It is going down the drain. Everything is going down the drain. Only when death comes to you, you may become aware, alert: What have I been doing? What have I done with life? A great opportunity has been lost. What was I doing fooling around? I was not sober. I never reflected upon what I was doing.
I do enjoy wearing a little heel when I'm at work, but when I'm running around with my son, it's a different story!
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