A Quote by Josh Barnett

I've worked in Hollywood before. — © Josh Barnett
I've worked in Hollywood before.
I've worked with Hollywood stars, but the reason most of the Hollywood stars I've worked with are Hollywood stars is that they're excellent actors, so I've been very lucky.
I worked in Hollywood as a reader and a would-be writer for about 6 years before I sold my first story.
Oh my God... I worked with George C. Scott, way before 'Chips,' in 'The New Centurion.' I co-star in that movie. It was great working with him. I worked with Charlton Heston, Glenn Ford, Robert Mitchum. Stacy Each. The old Hollywood. I met John Wayne, and that was a thrill. I was working next door to him.
There's a difference between a Hollywood wife and a Hollywood woman. I don't count. I worked.
I think one of the mistakes that people historically have made in Hollywood, and there are countless examples of this, is making the assumption that if the movie worked before, if we just remake it it'll work again.
I'd been in Hollywood for five years before I started writing 'The Guild.' I worked enough to pay all my bills. So I was very lucky in that respect. Most people don't make a living acting.
Before comedy, I worked at a tech company, and before that, I worked on Wall Street. And, honestly, I've never really been sexually harassed.
I don't care about Hollywood films. I'm not against Hollywood films, you know? Hollywood films were very good before, in the 1950s.
I spent my life working before I started band. I worked construction, landscaping. I worked in kitchens, cleaned dishes. I worked demolition.
I had worked for ten years in theater; I had worked at Second City in Chicago. Then I got to Hollywood, and I was like, naively, 'Where's my pilot?'
Wherever I am, I will embrace the life and the lifestyle. I've lived in Hollywood before, and we've moved into the old neighbourhood in West Hollywood. I love California.
'Sleepless' was a script that had been written by three or four other writers before me, and it never really worked, but it had this amazing ending on the top of the Empire State Building that just worked, no matter what came before it.
My goal was always to be working on the biggest stage in the world: Hollywood. Even when I was doing 'The Bill,' I approached the work like it was a Hollywood classic such as 'Training Day' or 'Boyz n the Hood.' So to have worked with some of the greats I've admired, such as Forest Whitaker, Kathy Bates, Cuba Gooding Jr., etc., it warms me.
I worked for a publishing company in Hollywood.
So, is Hollywood anti-religion? Not in my opinion. But unlike, say, politicians and preachers who talk faith before going off to speak in tongues to their mistresses, Hollywood just doesn't wear its faith on its sleeve.
There's nothing in Hollywood that's inherently detrimental to good art. I think that's a fallacy that we've created because we frame the work that way too overtly. 'This is Hollywood.' 'This isn't Hollywood.' It's like, 'No, this is actually all Hollywood.' People are just framing them differently.
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