A Quote by Josh Billings

Debt is a trap which man sets and baits himself, and then deliberately gets into. — © Josh Billings
Debt is a trap which man sets and baits himself, and then deliberately gets into.
Man is the only kind of varmint sets his own trap, baits it, then steps in it.
Debt is a trap, especially student debt, which is enormous, far larger than credit card debt. It’s a trap for the rest of your life because the laws are designed so that you can’t get out of it. If a business, say, gets in too much debt it can declare bankruptcy, but individuals can almost never be relieved of student debt through bankruptcy.
Debt is a trap, especially student debt, which is enormous, far larger than credit card debt. It's a trap for the rest of your life because the laws are designed so that you can't get out of it. If a business, say, gets in too much debt, it can declare bankruptcy, but individuals can almost never be relieved of student debt through bankruptcy.
The rights which a man arrogates to himself are relative to the duties which he sets himself, and to the tasks which he feels capable of performing.
If we keep kicking the can down the road, if we follow the president's lead or if we pass the Senate budget, then we will have a debt crisis. Then everybody gets hurt. You know who gets hurt first and the worst in a debt crisis? The poor, the elderly. That's what we're trying to prevent from happening.
The restructuring theme can be of various kinds. Some amount of debt gets serviced out of cash flows, some gets back-ended and resolved with sale of non-core assets of the company, and some debt gets converted into equity which might today look like a haircut.
Less than an hour before he'd congratulated himself on escaping all the traps of Earth, all the snares of Man. Not knowing that the greatest trap of all, the final and the fatal trap, lay on this present planet.
The prophet who fails to present a bearable alternative and yet preaches doom is part of the trap that he postulates. Not only does he picture us caught in a tremendous man-made or God-made trap from which there is no escape, but we must also listen to him day in, day out, describe how the trap is inexorably closing. To such prophecies the human race, as presently bred and educated and situated, is incapable of listening. So some dance and some immolate themselves as human torches; some take drugs and some artists spill their creativity in sets of randomly placed dots on a white ground.
Bread sets free; but does not necessarily set free for good ends -- that dear illusion of so many generous hearts. It sets a man free to choose: it often sets free for the bad, but man has a right to that choice and to that evil, without which he is no longer a man.
A noble man compares and estimates himself by an idea which is higher than himself; and a mean man, by one lower than himself. The one produces aspiration; the other ambition, which is the way in which a vulgar man aspires.
A young man rarely gets a better vision of himself than that which is reflected from a true woman's eyes; for God himself sits behind them.
Life is a vexatious trap; when a thinking man reaches maturity and attains to full consciousness he cannot help feeling that he is in a trap from which there is no escape.
I think what's hysterically funny is a guy who sets himself up as the most confident, everything's-perfect, know-it-all, things-are-swell human being and then gets wiped out every time.
That man can destroy life is just as miraculous a feat as that he can create it, for life is the miracle, the inexplicable. In the act of destruction, man sets himself above life; he transcends himself as a creature. Thus, the ultimate choice for a man, inasmuch as he is driven to transcend himself, is to create or to destroy, to love or to hate.
The boor covers himself, the rich man or the fool adorns himself, and the elegant man gets dressed.
You think this is a trap then?" the Count asked. "I always think everything is a trap until proven otherwise," the Prince answered. "Which is why I'm still alive.
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