A Quote by Josh Billings
About the most originality that any writer can hope to achieve honestly is to steal with good judgment.
Related Quotes
I really dislike when people talk about "experimental," because any good writer is experimental. As a writer, you don't know what the hell you're doing. You're just doing it. You hope it works out well. I've been experimenting with these things myself in my own books.
I admire anyone who can come up with something original. But not originality alone, because there can be originality in stupidity, with no musical description of any emotion or any beauty the man has seen, or any kind of life he has lived.
A writer does not own words any more than a painter owns colors. So lets dispense with this originality fetish… Look, listen and transcribe and forget about being original.
One of the bigger mistakes of our time, I suppose, was preaching the demonization of all judgment without teaching how to judge righteously. We now live in an age where, apart from the inability to bear even good judgment when it so passes by, still everyone, inevitably, has a viral opinion (judgment) about everything and everyone, but little skill in good judgment as its verification or harness.
What matters finally is not the world's judgment of oneself but one's own judgment of the world.... Any writer who lacks this final arrogance will not survive very long in America.
Writing itself, if not misunderstood and abused, becomes a way of empowering the writing self. It converts anger and disappointment into deliberate and durable aggression, the writer's main source of energy. It converts sorrow and self-pity into empathy, the writer's main means of relating to otherness. Similarly, his wounded innocence turns into irony, his silliness into wit, his guilt into judgment, his oddness into originality, his perverseness into his stinger.
In any case, open-seat presidential elections like 2008 just are different in character from incumbent reelects, and I think that's the most important thing about this election - is that once there's an incumbent running for reelection, most of the debate is about, "Has he [Barack Obama] done a good job?" Most of the judgment is, "Do you want to keep him or do you want to replace him?" Now, the opponent has to also be acceptable and has to make his own case.
One of the fundamental points about religious humility is you say you don't know about the ultimate judgment. It's beyond your judgment. And if you equate God's judgment with your judgment, you have a wrong religion.
Where writers are from is one of the world' s most boring topics. Where we're born, gender or race, wealth or poverty - those are the things we spend time talking about. Stop trying to label me. I'm a writer. Worry about whether I'm any good!
Ernest Hemingway has been the most important influence on me as a writer. But at a certain point as a writer, I realized that he was writing about good people doing good things. This did not match my experience of life and so I found my sentences stretching and becoming less plain.
Knowing how to paint and to use one's colors rightly has not any connection with originality. This originality consists in properly expressing your own impressions.
The problem I see with utilitarianism, or any form of consequentialism, is not that it gets the wrong answers to moral questions. I think just about any moral theory, worked out intelligently, and applied with good judgment, would get just about the same results as any other.
As a writer, my goal, (which I'm never going to achieve, and I know that, and no writer can achieve that,) but my goal is to make you almost live the books. I want you to fall through that page and feel as if these things are happening to you.
Wherein lies a poet's claim to originality? That he invents his incidents? No. That he was present when his episodes had their birth? No. That he was first to repeat them? No. None of these things has any value. He confers on them their only originality that has any value, and that is his way of telling them." Mark Twain "...every literature, in its main lines, reflects the chief characteristics of the people for whom, and about whom, it is written.
I never really wanted to be a journalist, honestly. I always wanted to be a writer, and I thought the only way to apply that interest was with journalism - when you're young and you want to be a writer, it seems like the most practical thing to do with those types of ambitions.
When becoming a character, you have to steal. Steal whatever you see. You can even steal from other actors' characterizations; but if you do, only steal from the best.
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