A Quote by Josh Blue

I feel like every person has a disability in some way. Whether you're dyslexic or Republican or whatever. — © Josh Blue
I feel like every person has a disability in some way. Whether you're dyslexic or Republican or whatever.
I feel like as a whole, when it comes to the "other" in the US - whatever that looks like for each individual person, whether it be someone who's LGBTQ or someone of color or someone who's just a religion that they've never heard of - whether you're in entertainment or whether you're in any other business, we're not as evolved as we'd like to think.
I'm a shy, nervous person, and I don't like teaching with "terms." I didn't teach them, like, "This is first person, this is second person, this is foreshadowing," or whatever, so no one probably felt like they were learning anything. But I feel like teaching in that way reduces the concept to a term.
A savant, by definition, is somebody who has a disability and, along with that disability, has some remarkable ability. Prodigies and geniuses have the remarkable abilities that the savant shows, but they do not have a disability. So, by definition, a savant includes someone with a disability, and a prodigy or genius are people who have these remarkable skills but they do not have a disability.
I'm dyslexic. If you can reconcile yourself to not being able to burn through books, which you shouldn't any way, you can slow the whole process down. Then, because of my disability, there is more for me in imaginative literature than there is for other people.
I think the United States, whether you have a Democratic president or whether you have a Republican president, is bound by international law, whether some senators like it or not.
I still feel like the same person, in every way - it is just some of my surroundings have changed and there are lots of new people in my life.
Every person with a disability has a slightly different kind of disability. Not everybody has the same problems. Usually the wheelchairs are the wheelchairs. It's the same height and so on. It's a problem.
I weirdly feel very natural, in the physicality that comes my way, whether it's guns, cars or whatever. For some reason, it's second nature to me.
I feel a great responsibility playing a historical figure because whether they were good or bad, I feel like the person deserves a fair shake. It's like being the executor of their estate in some ways.
If I had not been dyslexic, I wouldn't have needed sports. I would have been like every other kid. Instead, I found my one thing, and I was never going to let go of it. That little dyslexic kid is always in the back of your head.
I made a film about a person living with a disability. Those kinds of films are often about the disability, not who a person is.
If you don't connect yourself to your family and to the world in some fashion, through your job or whatever it is you do, you feel like you're disappearing, you feel like you're fading away, you know? I felt like that for a very very long time. Growing up, I felt like that a lot. I was just invisible; an invisible person. I think that feeling, wherever it appears, and I grew up around people who felt that way, it's an enormous source of pain; the struggle to make yourself felt and visible. To have some impact, and to create meaning for yourself, and for the people you come in touch with.
No matter which way you do it you need to make something happen and get a song that makes you feel a certain way, whether that's making you tap your foot or beat someone up or whatever you're doing, you just need some passion about it.
Some writing is a really nice solitary process, in a way, because you can be a little self-conscious around other people. If it's just you, and you're at your favorite piano, or whatever instrument, and you feel comfortable, then somehow, I always feel like it's opening a door and letting whatever is to pass through pass.
A person with 'oppositional conversational style' is a person who, in conversation, disagrees with and corrects whatever you say. He or she may do this in a friendly way, or a belligerent way, but this person frames remarks in opposition to whatever you venture.
Sometimes I'll go for something more because of the story, or more because of the director. But, generally, I have to feel like it's something that I have a real sympathy for - a person that I can completely go, "Oh, wow, oh, I'm there." Otherwise I don't feel like I will be able to pull it off at all. I know I haven't done everything very well in the past; some things have worked and some things haven't. But I need to feel like I can feel about the person, understand that person, I suppose.
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