A Quote by Josh Brolin
I know that, for me, working with people like Robert Rodriguez and Ridley Scott and the Coen brothers and Oliver Stone and Gus Van Sant was so much easier than working with a lot of the people I had worked with before, because with these guys, there's not a lot of ego involved. It's all about the work. It's all about how to make the story better. So at the end of the day, you feel a trust that you usually don't feel - or at least I haven't felt in the past with most people.
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A lot of people say, "Oh, I get this high from working out." I've never felt that, maybe because I've worked out for so long it's just a norm for me to push super, super hard. I don't feel the euphoria. But at the end, when it's all done, I feel euphoric. I'm like, "Yes, the work is done." You just feel like a glowing feeling inside.
It's not hard to understand why an accomplished director like Gus Van Sant (whose most recent success, Good Will Hunting, gave him mainstream clout) would be interested in making this film. The lure of an exact remake presents a tremendous challenge. Unfortunately, it was undoubtedly a lot more stimulating for Van Sant and his crew to make Psycho than it is for an audience to watch it. Curiosity is going to be one of the primary reasons why people pay money to see this movie; boredom will be the predominant result.
What I feel now is connected to people. I feel connected and I feel a lot of love for people. I feel the possibility of what building social movements and what working together in struggle creates. Whatever that energy is, it feels a lot better than what I felt when I was younger - which was worthless and disconnected and isolated and alone.
What I like to do with music is make people feel better. Make people realize that all humans have the same problems, more or less. A lot of people deal with the same thing. A lot of times people think problems are specific to them and they if they hear a song about a problem common to them, they feel good because they know that someone else has gone through it.
What I'm trying to do is help people understand if for one day they could have the best day ever, where there energy and there focus and everything is super clear and they feel like a great golden god... if you do that one time you know you're capable of it and you can start working towards that. Most people I know have felt like crap without knowing it most of their life. They've never had a wonderful day. Once you have that day, you can learn how to kick more ass repeatedly.
I like to have fun at work. It's okay if I don't. I've had that a few times. But generally, I'm someone who has a lot of fun at work, because I like my job. I think it's a fantastic job, at least that part of it is a fantastic job. And I like to have fun, and I personally feel that whether you're talking about the cast or the crew or the director or any combination thereof, that when people feel involved and comfortable and they feel like their work is being supported, that's the best environment to do good work.
People feel like there're two systems of justice, you know? Over there at Wells Fargo, you know, you had the scandal going on there, but the CEO leaves with a big, giant package. And other folks get in a whole lot of trouble for doing a lot less. The truth is that we have got to make America work for working people again.
I feel like everybody's waiting for a job y'know, you can make a movie on your phone. And so there really is no reason to worry about how to get in with people- and you can do that, there's a lot to learn working for people -but you can just make a movie, where in the old days that was completely impossible.
Gus van Sant I met at the Berlin film festival, and he came up to me. He had a little film in the festival called 'Mala Noche' that he had made for $20,000. He said: 'You are one of my favourite actors. I'm doing 'My Own Private Idaho' with River Phoenix and Keanu Reeves. You should be in it!' Then I started working with Gus.
The things that I've enjoyed most are not really science fiction. They are not much fun to make because there are so many toys involved. They are fun for directors who like toys, like Ridley Scott, but they are not a lot of fun to make. A lot of hanging around, changing this and that.
A lot of people have asked me about some of the characters that appear in 'Clockwork Prince,' like Aloysius Starkweather and Woolsey Scott. A lot of people like Woolsey Scott, which I was really happy about because he's very fun to write.
It's so much easier to sit home and not exercise and criticize other people. What I love is inspiring people. People come up to me and say, 'I want to have two kids and wear a bathing suit and not feel terrible about myself. I see how hard you work and it makes me feel like I can do that too.'
I had to make a decision about whether it would impact how I felt about trusting people, and I decided I wasn't going top allow it to impact my outlook on trust, because I believe trust is a choice. And I've always given people the benefit of the doubt until they prove me otherwise. So, it just made me stronger in my conviction about that, but it also taught me never to put anything past anyone.
I think, initially, working on your own is really great because it allows you to just be really free and not worry about how things are perceived or if people are going to think you're an idiot. And once that becomes ingrained, at least for me, I think I'll feel really comfortable to work with other people and still feel that same freedom.
You can't be a great mum and work the whole time necessarily; those two things aren't ideal. We have an awful lot to work on and to debate about in relation to our working lives, because it isn't working for a lot of people, particularly for a lot of women.
With a novel, you have to have a story. It's much more important to have it matter to the reader what happens to people, and it has to make sense and end in a way that is satisfying. So I spend a lot more time thinking about that. Then the writing itself usually is easier for me, because I know where it's going.
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