A Quote by Josh Dallas

British acting is undoubtedly based in text, and American acting relies more on behavior. That's speaking very generally. — © Josh Dallas
British acting is undoubtedly based in text, and American acting relies more on behavior. That's speaking very generally.
I'm obsessed with those old romance films. I also would love to venture into the silent film world. I think that's extremely compelling and interesting and really relies on the acting, even more so than when you have an actor speaking.
Broadly speaking, there are two kinds of acting: character acting and lead acting. And in my life, to begin with, in the 1980s, it was all character acting. And then when, by fluke, through 'Four Weddings', I got into doing lead parts, it's a completely different thing.
Im obsessed with those old romance films. I also would love to venture into the silent film world. I think thats extremely compelling and interesting and really relies on the acting, even more so than when you have an actor speaking.
I acted in high school and studied at the British American Drama Academy in Oxford for one summer. I minored in theater, and I was always acting growing up and stuff, but really, I was just more interested in the comedy of it all. So for me, it's always comedy, and then acting is just one medium of comedy.
Acting is doing. It's not speaking; it's behavior. It's something happening, even if you're only listening.
I went to theater school, and if I spent time with one school of thought in this whole acting game, it's the Meisner approach of improvise-based acting. This does not mean that you improvise your acting, but that you focus on the other person.
Acting and making music are quite complementary. Acting relies on someone else's writing and direction; writing music or lyrics doesn't. But they are both creative and personal in completely different ways.
Live-action is more fun for me, because you're acting with people. When you do voice-acting, many times you're not even in the room with the person that you're acting with.
I find a difference in British spy fiction and American spy fiction. In the American version, it's more militaristic, partly because the CIA has more of the military makeup. Whereas MI6 is more of a cerebral, intelligence-based, relationship-based service, i.e., all they do is recruit people to get information out of them.
When I went to Los Angeles right after high school, I got some acting jobs, and I never, ever wanted to be an actress! Public speaking and acting make me want to vomit. But I have never been nervous singing. When it comes to public speaking, I stumble on my words, sweat, and pull at my clothes.
I acted in high school and studied at the British American Drama Academy in Oxford for one summer. I minored in theater, and I was always acting growing up, but really, I was just more interested in the comedy of it all.
I love acting. Acting is a true love of mine, acting and math. Although they are both creative, they use very different sides of your brain. And I love both. Acting is my first love, and that's my main career, it really is.
Obviously, modeling and acting are very different. With acting, there's just so much more to explore on an intellectual, emotional, and physical level, especially with 'Ma.'
I've always had a strange acting life. I'm the daughter of a director, and a very French, typical director who fell in love with every single one of his actresses. And that's also something that's kind of normal in the acting business, because everything is based on desire, one way or the other.
Acting is acting, but acting is different in almost always every project, and very, very different in this context.
I am constantly asked, 'What's the difference between acting in the theater and acting in film?' The only answer I can give is the space - you adapt to the space. But acting is acting.
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