A Quote by Josh Dallas
People ask what it's like playing Prince Charming, but it's not something you really think about when you go to work.
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And in what fairy tale would John ever be any sane person's idea of Prince Charming anyway? He was the opposite of charming. More like Prince Terrifying.
It was fun playing a horrible, snotty kid in 'Harry Potter', and then playing Prince Charming where I was also singing and playing guitar, and then playing a completely different character.
Specifically, we talked about making the character of the prince not so charming, at least in the beginning, and I'm playing around with the preconceptions attached to a character. That's really what intrigued me as well because I thought it would be fun to do it.
People ask me a lot about my drive. I think it comes from, like, having a sexual addiction at a really young age. Look at the drive that people have to get sex - to dress like this and get a haircut and be in the club in the freezing cold at 3 A.M., the places they go to pick up a girl. If you can focus the energy into something valuable, put that into work ethic
I'm talking about the '60s really. People go interview these guys and ask them, "Do you still think music can change the world?" I mean, go talk to Graham Nash about that. What's he going to tell you? Ask David Crosby. These guys are still out there. They're playing their hits at Staples Center and those are really valuable songs. I'm talking about a couple of the guys who got knee-deep into really believing music had a great service beyond radio. I believe it did. And I think a lot of those songs are great.
You sure you don't need your Prince Charming to come and save you?" The knot in my stomach evaporated. My Prince Charming huh. "Sure, do you have one handy?
Kindness is really important to me in finding my own prince - so are patience and a sense of humor. Without those qualities he's no Prince Charming!
It's not like I want to be Prince Charming when I do dramas. But I think I've always shown such an image because that's just the way Korean dramas work.
I really hope that I can be as good as some people think I can be. But I may never work again... and that's the reality of the film industry. So, it's nice but I wouldn't want to go into something feeing like I needed to prove that I was good enough to be there. Maybe in some ways, it makes me think: "Do you know what? Some people think I'm alright, so maybe I should go into a job thinking I'm not rubbish." But I don't really think about it.
A lot of times I don't really work with people based on a look. I work with people I know, and that I think would bring something to the music. Ultimately I think that's the best way to go about it.
What we see on the TV screen, or the film screen or what we listen to in music, we have an illusion of what Prince Charming looks like or Cinderella's gonna look like in our life and we forget about what true love really means.
I would love to play a villain someday in that I think that what I've done with my whole career is walk this tightrope between charming and creepy, and I always fall on the charming side. I'd like to fall on the creepy side and be like one of those scary old men, like really charming villains.
If there's something I really like or a chord progression, I write a note in my Blackberry, and maybe a year later, I'll revisit it and ask, 'What did I like about that?' I really don't try to think too much about it. I like to be fresh.
When I'm naked, I really like to do push-ups. No. I think I really tackle it like everything else. If you're going to commit yourself to playing something, you have to be able to understand it. If you can understand it, then you can do it and go balls out with it. But, I've never been in a position where I've been like, "This doesn't feel right." I wouldn't do it, if it was that. I like the shock value of it. I think that, if you use it correctly, it's pretty effective, as long as I'm lit really, really, really well.
The modern fairy tale ending is the reverse of the traditional one: A woman does not wait for Prince Charming to bring her happiness; she lives happily ever after only by refusing to wait for him -- or by actually rejecting him. It is those who persist in hoping for a Prince Charming who are setting themselves up for disillusionment and unhappiness.
People like Prince or Madonna, they're kind of superhuman. You can't imagine them burning their toast, and there's something really exciting about that.
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