A Quote by Josh Dallas

If you're lucky enough to work with great actors and creative people, they're always just going to be who they are, so I don't think there's a difference between the Brits and the Americans.
If you grow up poor you're always going to worry about money, no matter how successful or lucky you become. I'm not moaning about what actors get paid - I'm very, very lucky - but the difference between what leading actors get paid and supporting actors get is a lot.
I'm lucky to just be a working actor. There are so many great actors out there and I'm just lucky to have gotten work.
I think that may be the biggest difference between Americans and people elsewhere. Unlike Americans, Canadians know that there are places just as real as Canada. It's a self-centeredness that's a very strange thing.
I think the world's a little smaller these days. With the Internet and the availability of people, the pool of English speaking actors - not just American actors, but Brits, Australians, New Zealanders, Irish. We're all up for grabs.
You're not always going to hit the bull's-eye. I'm going to make movies that work and I'm going to make movies that don't work, and that's just a part of being creative. Because really, I think if you're taking risks and you're pushing yourself and you're doing things that scare you, you are going to fall on your face, and it's not always going to work.
The great difference between the two feelings is that love is always creative, and fear is always destructive.
There's not a lot of talking between actors - either between actors or between actors and directors. People think that they sit in rooms and talk about psychology and motivations. I don't think that happens much.
You go through slumps in this game, and you just have to work through them. You're going to miss putts out on an LPGA tour and have bad rounds. You just have to think to yourself that you always have tomorrow, and you're lucky enough to be out here just playing golf for a living.
I've been very lucky to work with great filmmakers. But I think my days of just freely acting regularly, that being my sole creative fulfillment, are gone.
I always think about what's the difference between being tenacious and having an inability to learn from failures. The difference between the homeless guy who wanted to be a great painter and the guy who is a great painter could be anything.
I know from my own experience that great films and great actors can have a really big influence on you. There is a place for art in the world, and if you're lucky enough to be good at something and to keep being given work, it's not such a bad thing.
You know, I've kind of been lucky enough to always work with established actors or big names or people that are really popular or infamous for doing what they do and doing it well, I guess.
Mothers know the difference between a broth and a consommé. And the difference between damask and chintz. And the difference between vinyl and Naugahyde. And the difference between a house and a home. And the difference between a romantic and a stalker. And the difference between a rock and a hard place.
I actually started to think a lot about the difference between a creative gesture and a noncreative gesture. I decided that all gestures were creative. Because you always have to make a decision at some point.
I like whimsy and satire, and that's what Americans like so much about Brits. We bring subtlety and sense of humor that you sometimes lack. We have a very long history of importing Brits like Christopher Hitchens who are better at it than Americans are.
In my experience in series TV if you have a good crew and a great cast it's going to be a great group - similar to the theater where it's a bunch of people who are really talented and go to work each day and challenge each other and if you are lucky enough to get a hit then it's five or six or seven years of this kind of work.
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