A Quote by Josh Dun
The really cool thing about festivals is that you're getting to play in front of a whole lot of people who have never heard of us before. That's exciting. At the same time, it's a little bit of a challenge to capture the attention of people who have already seen a lot of bands.
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You hear a lot of songs that are about people cheating or about infidelity. I haven't really heard one before about connecting with the noble part of yourself. I know it sounds a little bit cheesy, but that's the real deal. There are a lot of people who are making a genuinely good, sweet decision on a daily basis.
I did it a little bit in college, but now I've been doing it more. But yeah, it's not, I think you can definitely have a sense of humour about it. Like a lot of the time I'll finish my set with 'Sandstorm' by Darude - do you know that song? That's a funny song. People also go apeshit when you play it. But at the same time, it's not like the whole thing is a joke.
The so-called resistance is very broad and we don't agree on everything, but there's a moment of opportunity when people are paying attention. It's time for us to really get serious about political education and about our own moral education in this moment, and to seize this opportunity to organize and be in deep dialogue with a whole lot of people who never even thought about being politically engaged or active before. There's real hope there and real opportunity.
We played a show the other week at this festival and it was an audience that I'd never normally play in front of. That's one the greatest things about festivals: you don't always get your audience, you get people who just pop in out of curiosity. The reaction was amazing; there were people dancing, which we've never had, I guess because the message is pretty powerful and the performance is a lot more visceral than it has been previously. The audiences seem to be reacting to that really well and it's a wonderful thing, because at a performance you really bounce off your audience.
People used to come home from school and plop down in front of the TV and religiously watch 'TRL.' It was a moment in time that I think a lot of people have a lot of fond memories of. It's a fun trip to take down memory lane because it was a great time for a lot of people, bands included.
Sometimes I heard voices muttering in my head, and a lot of the time the world seemed to smolder around its edges. but I was in a little better physical shape every day, I was getting my looks back, and my spirits were rising, and this was all in all a happy time for me. All these weirdos, and me getting a little better right in the midst of them. I had never known, never even imagined for a heartbeat, that there might be a place for people like us.
A lot of people talk to me about writing lyrics and it is obvious they are really paying attention to the fact that ours are different from a lot of other bands.
I think me, Sean Bonnette and Laura Jane Grace, and a lot of the bands people feel that way about, we're just really honest in our lyrics. I think we got really lucky in that the right kind of people who would appreciate that heard us at the right time, because there are plenty of people that are honest in their lyrics.
So there was something of a learning curve with doing your own thing and people seeing you outside of the band. I mean, people have never really heard my voice before - or heard a whole record of mine before. So it was a completely new experience.
The Angels shows are really intense. We play for a couple hours at a time. They're very theatrical and full of audience interaction and emotion. I've seen a lot of people crying and stuff. It's a little bit like church, but it's very secular.
That song ["Money to Burn"] is me being a fly on the wall in situations in LA. I mean, I've seen the way a lot of people operate and I've seen that sort of thing go down. There's a lot of rich kids with a little bit of extra money.
The underground scene is still a cool way to meet a lot of cool people, see a lot of interesting bands and get a lot of food for thought, but people have to remain curious and get their brain activity food from other places besides punk.
I found a lot of stuff that's never been seen before. That was the goal: to not use cliché Cold War footage but give people a sense of the place and setting. It's a field you still need. At first it was a lot of fun, and then later it became a little bit intimidating. "Oh my God, I've got so much footage. Where am I going to put it? What am I going to do?" I ended up really only reviewing about 20 to 30 percent of what I had. So it was a task.
I play a lot of, maybe a little bit, cartoonish people. I've been a Bond villain, and I play a lot of villains, people who want to take over something.
I love exploring New York and I think that's what is so exciting about it. You find places that you've never heard of or seen before all the time.
I'm really kind of a little bit romantic for the lost era. There's a lot of us that are - kind like James Murphy, same thing - we feel like it's this magic era that happened before us. And it wasn't even necessarily disco.
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