A Quote by Josh Dun

Blurryface is a fictional character and a reference to insecurities, which I think all people have. — © Josh Dun
Blurryface is a fictional character and a reference to insecurities, which I think all people have.
I don't think there is a fictional character who resembles me because fictional characters are not real!
It's more difficult playing a real-life person than a fictional character - you can go easy on yourself with a fictional character.
Blurryface is this character that I came up with that represents a certain level of insecurity.
When you're training as an actor, a lot of the big work you're learning is to treat fictional characters like real people. You don't have the problem of discovering a backstory with real people, but there's always a mystery which is common to both fictional and factual characters. They are never quite the person you think they are.
I quote fictional characters, because I'm a fictional character myself!
As all curves have reference to their centres or foci, so all beauty of character has reference to the soul, and is a graceful gesture of recognition or waving of the body toward it.
I love playing real people. It's a huge challenge and responsibility which I take on board and which I relish. It also scares me to death. Give me a totally fictional character and I don't have the same sort of responsibility. If, though, I play Sigmund Freud or Robert Maxwell or whoever then there is a responsibility.
I think that Miley is getting a chance to be who she really is, after years of having to be a fictional character on TV.
In every film, whether it's a fictional character or not, you create an idea of the character and for me I always do a bad impersonation to start with.
To create a character who really interests you, try combining aspects of your favourite fictional character with a real person.
The only thing that I know how to do as an actor, as a trained actor, is you can't villainize the character you're playing. Whether it's a fictional character or a real character. Because then you operate from that sort of negative point of view, and you can't humanize him.
When I read a good story, I often start thinking, 'Should I live my life according to what this character chooses and values?' It makes me think. I feel like I grew up to be a more mature person while thinking about character development in these fictional situations.
I am no longer going to become a fictional character to please people. That's too much work.
Some of my characters are drawn from people I know whereas others are an amalgamation of people or one specific person. Sometimes a character is simply fictional. It is always a mix.
I think my masks reference artists who reference primitivism. They're not directly connected to tribal arts. I think they look more like third-grade art projects.
It goes without saying that all of the people, living, dead, and otherwise, in this story are fictional or used in a fictional context. Only the gods are real.
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