A Quote by Josh Gad

It's weird to say, but every time I look at my daughter and I see this little living breathing thing that came from me, that represents all of the hopes and dreams that I would want for her, I see a miracle.
Human beings look separate because you see them walking about separately. But then we are so made that we can see only the present moment. If we could see the past, then of course it would look different. For there was a time when every man was part of his mother, and (earlier still) part of his father as well, and when they were part of his grandparents. If you could see humanity spread out in time, as God sees it, it would look like one single growing thing--rather like a very complicated tree. Every individual would appear connected with every other.
Sometimes I would open my eyes when we were kissing, I would watch him and I could see it. I could actually see LOVE - not words, not an emotion, not an abstract concept or a subjective state of mind, but a living, breathing thing.
She should want to see me. If I had said how I feel about her, she would miss me even more. All this time, I've been breaking her heart by keeping her wait, yet I can't still appear before her eyes. I never want to see her cry anymore. Even if it means I no longer exist in her heart. How immature of me, right? -Kudou Shinichi
I still use the pronoun she for my publicity materials, and for mainstream media stuff, for two reasons: the first is that I do a lot of work in public schools, and I want those young women and girls to see every kind of she there can be. I want them to see my biceps and my shorn hair and shirt and tie and for some of them to see me as a possibilityI want them to see me living outside of the boxes, because they might be asphyxiating in their own box and need to see there is air out here for them to breathe, that all they have to do is lift the lid a little.
If I had a daughter, I would tell her certain things. I would tell her that it’s great to be smart, really smart - that being smart makes you strong. I would tell her that emotions are powerful, so don’t be afraid to show them. I would tell her that some people may judge you on how you look or what you wear - that’s just how it is - but you should keep your focus on what you say and do. I would tell her that she may see the world differently from boys, and that difference is essential and good.
I don't want to be little again. But at the same time I do. I want to be me like I was then, and me as I am now, and me like I'll be in the future. I want to be me and nothing but me. I want to be crazy as the moon, wild as the wind and still as the earth. I want to be every single thing it's possible to be. I'm growing and I don't know how to grow. I'm living but I haven't started living yet.
Every time I look into the mirror, I want to see a man whose mother, sister, wife and daughter are proud to call their own.
I see little girls at my meet-and-greets who are like, 'Kelsea! It's my first concert and I came to see you.' And I'm thinking, 'I don't want to post anything online that your mom would be mad at me for, because you're important to me.'
Every day I hold my breath until I see her. Sometimes in class, sometimes in the hallway. I can't start breathing until I see her smile at me. She always does, but the next day I'm always afraid she won't. At lunch I'm afraid she'll smile more at BT than at me. I'm afraid she'll look at him in some way that she doesn't look at me. I'm afraid that when I go to bed at night I'll still be wondering. I'm always afraid. Is that what love is - fear?
My daughter is reading various Young Adult vampire stuff, and I ask her, "Is there even a bad vampire in the story?" There's always a good vampire now, but do any of them sleep in coffins? And I would bring her down to my library and say, "Here's every classic vampire literature. There are coffins, there's this, there's that," you know? "When you get to the YA stuff, you may try some of this stuff just to see where it came from."
~[My daughter is] very artistic, but she's also a perfectionist. I feel a little bad: That's the part I see in her that's like me - and you don't want them to have that at age 5.~
...the girl longed for a love that could not be ended by death. From the time she was young, she knew that her true love was there, somewhere, living a life that would one day intersect her own. Knowing this made every day full of sweet possibility. Knowing that her true love lived and breathed and went about his day under her same sun made her fears vanish, her sorrows small, and her hopes high. Though she did not yet know his face, the color of his eyes, still she knew him better than anyone else knew him, knew his hopes and dreams, what made him laugh and cry.
There are elements of that, where you'll see a scene again and you'll recognize it, but I wouldn't say it's got one conceit like that, at all. It definitely has those jokes, but it would be wrong to say this is a show where, every time you see it, you see a new angle.
I find that as I get into a painting I have high hopes, then little by little I begin to see that it is not going to be the masterpiece I thought it would be, and I start putting my hopes into the next work.
We see a newborn moth unwrapping itself and announce, Look, children, a miracle! But let an irreversible wound be knit back to seamlessness? We won't even see it, though we look at it every day.
I went to Jerusalem, the dead sea, it was just amazing. Because what we see in the TV, I'm sorry to say it, I don't want to insult nobody, but a lot of the image that we see from the middle east in Canada - It's sad to say but it's always bad stuff. I was thinking coming here it would be a lot of military, security, everybody would be a little more on the edge, but I see it's amazing. It feels a little bit similar to Miami.
This site uses cookies to ensure you get the best experience. More info...
Got it!