A Quote by Josh Gondelman

I like comedy that's very specific and isn't afraid to lose people through its specificity. — © Josh Gondelman
I like comedy that's very specific and isn't afraid to lose people through its specificity.
At MTV, it's very nice sometimes to be able to be very specific. Specificity really makes a news story interesting because you can color it in that personality.
People like me, like Karen Elson and Soo Joo, we're a very specific woman with a very specific look. I think that's also why we last longer. There's no one else like us.
Comedy takes a very specific technique, specific skills.
In the movies I've done for Sony, they've never given me quadrant specific notes ever. They say "Keep making it. Just make the movie you want to do." Especially in a comedy because comedy is so tone specific.
I gave myself permission to care, because there are a lot of people in this world who are afraid of caring, or afraid of showing that they care because it's uncool. It's uncool to have passion. It's so much easier to lose when you've shown everyone how much you don't care if you win or lose. It's much harder to lose when you show that you care, but, you'll never win, unless you also stand to lose. Don't be afraid of your passion.
I like movies that are specific. Movies that home in on a very specific subculture, a specific discipline, a specific world.
Jewish, black, Filipino, whatever the specificity is, it's specificity that makes a good story. And I think people are tired of seeing the same old shtick on network television. It's just a group of white people hanging out talking about their jobs. Who cares? We've seen that.
We're just afraid, period. Our fear is free-floating. We're afraid this isn't the right relationship or we're afraid it is. We're afraid they won't like us or we're afraid they will. We're afraid of failure or we're afraid of success. We're afraid of dying young or we're afraid of growing old. We're more afraid of life than we are of death.
Drama is more universal. We all cry about the same stuff. But comedy is very specific: It depends on where you were born, how old you are, your social-economic status. It's very complicated to make people laugh.
Homophobia is a tough one. In some places it's actually very OK to be homophobic. Comedy clubs in general are very unsafe spaces for LGBT, for women, for Asian people. So my goal in comedy has sort of been to make this a safe space for people who were like me.
Love is universal, luckily, but also in general I've found that whenever I've been the most specific in my stand-up, revealing some weird neurosis or quirk I'm ashamed of, that's what people relate to the most. Specificity is key!
Sports is about people who lose and lose and lose. They lose games; then they lose their jobs. It can be very intriguing.
The more money you spend, the more you need to make back, and the more pressure there is to appeal to everyone - which to the studio means that the specificity and uniqueness must be watered down. But I think mass audiences like things that are more specific and tend to have a voice, like 'Napoleon Dynamite' or 'Superbad.'
The thing about 'Gilmore Girls' is that it's such a specific voice, and I lived with it for so long before it got on the air It's a very specific rhythm and a very specific banter.
We have to be careful that we don't keep multiplying disorders and diluting them. I think there is a difference. People talk about Asperger's as high-functioning autism, which I think it is. But it does have some of its own characteristics, like the preservation of language, particularly, which may be right brain dysfunction instead of left brain dysfunction, and we lose something in that, as things lose their specificity, and we keep diluting things. I'm not sure that's helpful.
As a fiction writer, one of things you learn is God lives in specificity. You know, human kindness is increased as we pursue specificity.
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