A Quote by Josh Groban
We got to see Sondheim shows, 'Phantom of the Opera,' 'Cats' and all sorts of stuff. When you're 10 or 11 years old, it's just magnificent. The story-telling, the music - it lifts you out of your seat.
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I heard opera all day long. From the time I was 9 years old, I was imitating the singers; later I studied opera. But we also got Western television and radio, from the Americans in West Berlin. When I was 11 years old, I turned into a hippie and gave flowers to policemen. And when I was 21 and left Berlin for London, I became a punk.
Opera was an enormous part of my childhood. My parents were both opera buffs, and they met in the box seat of an opera performance. And I also was a boy soprano, so before puberty hit, I was onstage playing a wide variety of orphans and urchins in all sorts of operas, and the sheer melodrama of their stories was just always appealing to me.
When I got the 'Blue Album,' I was 11 years old, 10 years old, and then I convinced my parents to go and get my first drum kit, which was, like, 600 bucks.
My view is that musicals are love stories with great final scenes. It's just that simple. Musicals are also conflicts between two worlds. And by those criteria, 'The Color Purple' is actually exactly the kind of story that makes for a great musical. Yes, it's got hard stuff in it, but so does 'Les Miserables' and 'Phantom of the Opera.'
My love for American music and American movies is from an early age. I was 10 or 11 when I heard Fats Domino and Little Richard and Buddy Holly. And the movies, my dad used to take my brother and I to the movies every Friday. It was incredible: we got to see just about every movie that came out for a period of years.
I got my first computer at, I don't know, when I was 11 years old? 10?
I still come out to music that's in Spanish. There's no denying who I am, but I've just made it to where my performance is so anybody can understand it - whether you're 10 years old or 80 years old.
I sat in a theater when I was 11 years old and watched 'The Empire Strikes Back' from 10 in the morning until 10 at night the day it came out.
I think the old school, back in the day, 10 to 15 years ago in music, is like you launch one single and you just let that ride out. Right now, you've got folks like Chris Brown, he just won't let up, he's got mixtape after mixtape, they're playing songs on the radio from the mixtape and then he's got songs on the album and videos and he's got remixes he's jumping on.
The first 10 years of my journey, I was still figuring out who I was, and then I had to redo it all over again when I became bigger. So instead of saying, 'I'm gay and this is me,' I started telling the story through my music.
You can't tell the story of a 13-year-old boy who knows every lyric to 'Phantom of the Opera' without also referencing how much teasing he gets at school.
Staying relevant is key. When you're telling your story, you better have a modern story to tell. If I was still saying the same story I was saying 10 years ago, it would not be that interesting.
I knew that I was different when I was six years old, but it wasn't until I got to about 10 or 11 that I realised I was a gay man.
See that fella over there? He's 20 years old. In 10 years, he's got a chance to be a star. Now that fella over there, he's 20 years old, too. In 10 years he's got a chance to be 30.
'Phantom' was for me an interesting technique of telling the story. You have one voice that it is in the present telling what is happening, and then there's one voice from the past that's also driving the story forward. And you know that the two story lines will meet eventually.
Phantom' was for me an interesting technique of telling the story. You have one voice that it is in the present telling what is happening, and then there's one voice from the past that's also driving the story forward. And you know that the two story lines will meet eventually.
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