A Quote by Josh Groban

Comedy and music are so similar because it's all about timing. — © Josh Groban
Comedy and music are so similar because it's all about timing.
Music is very similar to comedy: It's all about texture, timing, context, vocabulary, performance. When someone's onstage doing a solo, essentially it's the same thing as what a comedian does. They're in the moment. They're listening.
With comedy it's all about timing and presence on screen, as the words are there but you have to say them right and the right timing.
Tension is all about, 'Why is this taking so long?' The interesting thing about that is that it's also the tension of comedy. The tension of drama and comedy is similar, and that's why usually you can get a big laugh in a really tense moment because people need that release.
A lot of things matter in comedy - the script, the lines, your timing, the co-actor's timing, how it's shot.
I think, in comedy, timing is everything. You and I could tell the same joke, but if one of our timing is off, it won't be as funny. You've gotta know when to deliver your punch-lines.
It took me a good eight to ten years to really formulate what I was doing onstage and start to get really personal with comedy. I always really had timing naturally, it was just about trying to figure out how that timing was going to work onstage.
Comedy is easy. You have to react to what others are saying and it is all about the timing, the dialogue delivery.
I don't really know how music and comedy are similar. I try never to dissect it theoretically or academically.
Like hitting a baseball, comedy is very much about timing. To some degree, you either 'got it or you don't.'
When you're doing comedy on stage, it's great because you have the audience there and they're like another actor in the scene. You feed off of them, laugh. But in film when everyone's quiet, it's all about timing. But the key to that is to be authentic. Be in the moment, and if you play the moment truthfully, the humor will be there.
There's some actors that go easily between drama and comedy because they play the naturalism of the role, and they just have natural timing.
I don't think comic timing is the same as music timing, but I definitely find that I've learned from just writing in general that songs can be narrative without having a story.
Music and comedy are so linked. The rhythm of comedy is con­nected to the rhythm of music. They’re both about creating tension and knowing when to let it go. I’m always surprised when somebody funny is not musical.
I've always felt that there's a lot of similarity between doing a comedy and doing a scary movie because jokes and scares are all about timing. If you give the punch line too early or too late, the joke falls flat. And it's the same with a scare.
For instance, our music, They Might Be Giants, has this element of humor, which is probably the most uptight part of what we include in our music, because we're in part very self-conscious guys, and we want our music to stand up to the test of time, not just be visceral comedy records. We love humor and comedy, but there's this aspect to it that runs counter to what is included in most music.
Comedy's easy for me now - it's all about timing and the way you deliver lines. I use facial expressions to get the point across.
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