A Quote by Josh Groban
I did improv in junior high school. Figuring out my comedic timing helped my confidence in talking to the bullies and talking to people in class. If I could make them laugh, then I was in; I was OK.
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I acted out a lot. I was very nerdy. I was very isolated, which I made up for by kind of talking and trying to entertain people and get them to like me, so I did theatre and improv in high school and college, but always as a hobby.
By junior high, I was a horrible student. But during my sophomore year of high school, I did have a fabulous English teacher, and I would go to school just for her class and then skip out afterwards. That's actually when I started writing, although I didn't think of it then as something I might someday do.
When I'm talking about the white working class, here's what I'm defining: high school degree, no more, and working in a blue-collar job or a low-skilled service job. When I'm talking about the white, upper-middle class, I'm talking about people who work in the professions or managerial jobs and have at least a college degree.
The first time I ever did a play, in junior high school, I said to myself, 'Hey, people like me doing this. I'm making them laugh.'
In Hawaii, after somebody introduces themselves, the next question is, 'What high school did you go to?' From there, it's either 'Oh, OK, it's cool, I know some family,' or it's trash-talking to the max, like 'my school is better than your school.' This is how it kind of is back there.
I did a couple of plays in junior high school, maybe high school, and then I did a play in college.
I took an improv class in 2005 in Chicago at ComedySportz, which was short-form, more of a games-based improv. I remember it being real fun and helping with my stand-up. If I did an improv class, and then I did stand-up later, I felt looser on stage and more comfortable.
When I was a kid in junior high, I had an assignment to discuss how to rescue poor people in India. I remember my teacher at the time considered it an impossible problem. Now, we're not talking that way anymore. We're sure not talking about that for China. They're rescuing themselves thanks to globalization.
I acted in junior high in the junior high school group, and then when I got into senior high I was, you know, the main actor of the senior high school.
I was in every band class I could get in, like after school jazz band and marching band, and that's where I really learned to read music from elementary all the way through junior high and high school.
Do I think it's OK to fight authority as long as you're only talking about the high school teacher? No.
I did take one drawing class in school, but for this book I spent a lot of time talking to painters and asking them silly questions.
My first show in high school was 'The Music Man.' I was a junior. I played Harold Hill. I did the role at the University of Miami, too. I do love that musical. To do it in high school and college and then to do it professionally - I mean, come on!
I discovered that I wanted to be an actor back when I did my first play in junior high. I've been doing theater in junior high and high school, and I just kept feeding the fire, kept wanting to pursue acting full-on.
Think, for a moment, about our educational ladder.
We've strengthened the steps lifting students from elementary school to junior high, and those from junior high to high school.
But, that critical step taking students from high school into adulthood is badly broken. And it can no longer support the weight it must bear.
[Larry Laurenzano] gave me a junior high school saxophone to take to high school, because I was always taking one of our school horns home to practice and I couldn't afford to buy one. He gave my friend, Tyrone, a tuba and he gave me a junior high saxophone for each of us to use at Performing Arts High School with. My audition piece was selections from Rocky. We were not sophisticated. But we had some spirit about it. We enjoyed it, and it was a way out.
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